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Kim Voynar

By Kim Voynar Voynar@moviecitynews.com

Check This Out: hitRECord at the Movies in SF

If I lived in San Francisco, I so know where I would be on Wednesday, August 24 — at the hitRECord at the Movies event at The Regency Ballroom.

I’ve written here before about hitRECord, Joseph Gordon-Levitt (aka “RegularJoe)’s collaborative arts effort wherein people upload things and merge and meld things, and play around with some other things to create some very intriguing projects. Since I last wrote about hitRECord, they even have a Tiny Book of Tiny Stories, which started out as a collaboration, and which has led to a series of Tiny Stories books that are set to be published by ItBooks and HarperCollins.

If you’re an artist, a storyteller, or just an all-around creative person, hitRECord is a cool place to collaborate with other brilliant-minded types. Artists upload illustrations, papercuts, songs, what have you, and other artists pull various bits and pieces together in creating something nifty. So check it out. If you missed this the last time I posted about hitRECord, here’s Morgan and Destiny’s Eleventeenth Date — The Zeppelin Zoo, which played at SXSW. It’s a little cutesy-cute … but in a cool way, promise.

And if you’re in San Francisco, here’s where you can get the scoop on the upcoming hitRECord event.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon