MCN Columnists
Mike Wilmington

By Mike Wilmington Wilmington@moviecitynews.com

Wilmington on DVDs. The Rest. The Perfect Game, The Goods, Coming to America/Trading Places, The Dirty Harry Collection

 

“The Perfect Game” (Three Stars)
U.S.; William Dear, 2010 (Image)

        I admit it. I’m a sucker for inspirational sports movies. And this account of the historic 1957 Little League champions from Monterey, Mexico — a warm-hearted picture directed by William Dear (Harry and the Hendersons), written by the book’s author W. William Winokur, and starring Clifton Collins Jr.  as the manager, Cheech Marin as the team’s priest, and Moises Arias, Jansen Panatierre, Ryan Ochoa and Jake T. Austin among the boy players (with cameos by Lou Gossett, Jr., Frances Fisher and others) — got my “Hoosiers” juices running. For all the movie’s sometime clichés, it’s a story worth telling and seeing.   

Extras: Commentary by director William Dear; Featurette; Trailer.

 
The Goods: Live Hard, Sell Hard (One and a Half Stars)
U. S.; Neil Brennan, 2009 (Paramount)
Will Ferrell
may be working too hard, selling too hard. This particular producer-chore for George Bush’s walking nightmare and doppleganger, is awful, awful. Watch Hard, Fall Hard. The usually funny Jeremy Piven, trying misguidedly to follow in the footsteps of Used Cars‘ Kurt Russell, stars as a super car dealer gun-for-hire named Don Ready, nicknamed The Goods, and hired to save James Brolin’s closeted, ailing dealership from the predatory clutches of the bank and his competitors.
 
A lot of good actors and comedians are sunk in this — not only the miscast Piven, but Ving Rhames, Ed Helms, Jordana Spiro and Charles Napier (playing the kind of guy, who might show up at a town hall political meeting with an Uzi) and Ferrell himself, who does a skydiving scene with a non-existent parachute. That pretty much sums up the movie too, which is a clunker of clinkers. Trust me..

“The Perfect Game” (Three Stars)
U.S.; William Dear, 2010 (Image)

        I admit it. I’m a sucker for inspirational sports movies. And this account of the historic 1957 Little League champions from Monterey, Mexico — a warm-hearted picture directed by William Dear (Harry and the Hendersons), written by the book’s author W. William Winokur, and starring Clifton Collins Jr.  as the manager, Cheech Marin as the team’s priest, and Moises Arias, Jansen Panatierre, Ryan Ochoa and Jake T. Austin among the boy players (with cameos by Lou Gossett, Jr., Frances Fisher and others) — got my “Hoosiers” juices running. For all the movie’s sometime clichés, it’s a story worth telling and seeing.   

Extras: Commentary by director William Dear; Featurette; Trailer.

 
“Coming to America”/”Trading Places” Comedy Double Feature (Three Stars)
U.S.: John Landis, 1988/1983 (Paramount)
Two of Eddie Murphy’s better comedies, both directed by hang-loose helmer and directorial party guy John (Animal House) Landis.

Includes: Coming to America (U.S.; John Landis, 1988) Two and a Half Stars. Eddie Murphy as an African prince, searching for a bride in America. Not bad: One of his more restrained and even romantic performances. The cast includes James Earl Jones, Arsenio Hall, John Amos, Madge Sinclair, Samuel L. Jackson, Cuba Gooding, Jr., and lots of cameos, ranging from Trading Place’s Don Ameche and Ralph Bellamy, to the usual Landis in-crowd of directors.

 
Also: Trading Places (U.S.; John Landis, 1983) Three Stars. Saturday Night Live vet Murphy was never better than in this Rich Man/poor man swap comedy in which Murphy plays a street guy who trades places with rich boy (and fellow SNL vet) Danny Aykroyd, as part of a nature-vs.-nurture argument between billionaire buttinskies Don Ameche and Ralph Bellamy. (See above.) With Jamie Lee Curtis as a well-stacked hooker, Jeevesian butler Denholm Elliott, Alfred Drake, Jim Belushi, and U. S. Senator Al Franken, of Minnesota, with his old SNL partner Tom Davis. (Well, Okay: Murphy is better in Beverly Hills Cop.)
 

Four Film Favorites: The Dirty Harry Collection (Blu-Ray) (2 discs) (Three and a half Stars)
U.S.; Various directors, 1971-83. (Warner)
I know what you’re thinking. Did he fire six shots or only five? Well, to tell the truth, in all this excitement, I kinda lost count myself. But, being as this is a .44 Magnum, the most powerful handgun in the world and could blow your head clean off, ….
“Dirty Harry” Callahan, 1971
Those of us who think Clint Eastwood is a first rate actor as well as a great producer-director have 1971’s Dirty Harry (and many others actually) to offer as evidence. Could anyone have played that part — the foul-mouthed, rebellious, short-fuse cop Harry Callahan — better? (Including the actors to whom it was offered before C. E.: John Wayne, Paul Newman and Frank Sinatra?) Only Eastwood‘s Man With No Name (in the Leone films) has more charisma in this type of role; only George Carlin has a dirtier mouth.
The follow-ups in the series are a mixed bag, mostly good, and you’re better off with one of the sets that has all five Dirty Harries, including The Dead Pool, which has, after all, a cast that includes Liam Neeson, Patricia Clarkson and Jim Carrey. But Sudden Impact (Go ahead. Make my day.) is another classic. And they all have their moments. Like this one:
…You gotta be askin’ yourself one question: “Do I feel lucky?” Well, do ya? Punk?
 
Included: Dirty Harry (U.S.: Don Siegel, 1971) (Four stars). Best of the bunch: a genuine cop-noir masterpiece. The movie where Clint chases a Scorpio killer in San Francisco (Andy Robinson) and recites the italicized speeches above and below, twice. With Harry Guardino, John Vernon, Reni Santoni and John Larch.
 
Magnum Force (Ted Post, 1973) (Three Stars). Maybe to spike complaints that the first movie’s Harry was a vigilante cop and perhaps a fascist, this one has Harry going up against a cell of vigilante cops in his own PD. A good one: John Milius worked on the script, and the cast features Hal Holbrook, Mitchell Ryan, David Soul and Robert Urich.
 
The Enforcer (U. S.: James Fargo, 1976) Two and a Half Stars. The weakest Dirty Harry movie in my opinion, even though it introduced, as Harry’s first female police-partner, Tyne Daley, later the lady cop of “Cagney and Lacey.” With Guardino and Bradford Dillman.
 
Sudden Impact (Clint Eastwood, 1983) (Three and a half stars). The darkest and most violent of all the Dirty Harrys, with Harry going up against a female serial killer and rape avenger played by Eastwood’s long-time lover and frequent ’70s costar Sondra Locke. (Yeah, I know: It ended badly.) The second best Dirty Harry, co-starring Pat Hingle, Dillman and Michael V. Gazzo as a very unlucky Mafioso.

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4 Responses to “Wilmington on DVDs. The Rest. The Perfect Game, The Goods, Coming to America/Trading Places, The Dirty Harry Collection”

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon