By MCN Editor editor@moviecitynews.com

New York Film Critics Circle to Vote on Monday, November 28, 2011

New York, NY – October 19, 2011 — The New York Film Critics Circle announced today they will hold their annual vote for the 2011 Film Critics Circle Awards on Monday, November 28, at The Walter Reade Theatre at Lincoln Center. The awards will be handed out at a ceremony to be held on Monday, January 9, 2012.

Says this year’s Chairman John Anderson, “As the nation’s preeminent critics’ group, we are excited about kicking off the annual end-of-year discussion with our new early voting date. On the basis of the films we have seen thus far, we are looking forward to another passionate debate amongst our members.”

Founded in 1935, the New York Film Critics Circle is the oldest and most prestigious in the country. The circle’s membership includes critics from daily newspapers, weekly newspapers, magazines and the Web’s most respected online publications. Every year the organization meets in New York to vote
on awards for the calendar year’s films.  The Circle’s awards are often viewed as harbingers of the Oscar nominations.  The Circle’s awards are also viewed—perhaps more accurately—as a principled alternative to the Oscars, honoring aesthetic merit in a forum that is immune to commercial
and political pressures.

Joining Chairman John Anderson in leading the group is this year’s Vice-Chairman, Time Out New York Senior Film Writer Joshua Rothkopf, who will assume the duties of Chairman for 2012. Additions to the group are returning voting member Amy Taubin of Film Comment and a new member, Salon film critic Andrew O’ Hehir.

Full list of voting members below:

Thelma Adams
US WEEKLY

Melissa Anderson
Village Voice

John Anderson
VARIETY/NEWSDAY

Michael Atkinson

Dwight Brown
NNPA Syndication/BlackPressUSA.com

Richard Corliss
TIME

David Denby
THE NEW YORKER

Karen Durbin
ELLE

David Edelstein
NEW YORK MAGAZINE

David Fear
TIME OUT NY

Marshall Fine
STAR

Owen Gleiberman
ENTERTAINMENT WEEKLY

J. Hoberman
VILLAGE VOICE

Stuart Klawans
THE NATION

Lou Lumenick
NEW YORK POST

Vincent Musetto
NEW YORK POST

Joe Morgenstern
WALL STREET JOURNAL

Joe Neumaier
NEW YORK DAILY NEWS

Andrew O’Hehir
SALON

Peter Rainer
CHRISTIAN SCIENCE MONITOR

Rex Reed
NEW YORK OBSERVER

Joshua Rothkopf
TIME OUT NEW YORK

Andrew Sarris
Emeritus

Richard Schickel
TIME

Lisa Schwarzbaum
ENTERTAINMENT WEEKLY

Kyle Smith
NEW YORK POST

Dana Stevens
SLATE

Amy Taubin
FILM COMMENT

Peter Travers
ROLLING STONE

Elizabeth Weitzman
THE DAILY NEWS

Armond White
NEW YORK PRESS (sic)

Stephen Whitty
NEWHOUSE NEWS SERVICE

Stephanie Zacharek
MOVIELINE

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One Response to “New York Film Critics Circle to Vote on Monday, November 28, 2011”

  1. Grace says:

    Hello,
    My name is Grace. I go to a project base learning school. I am currently doing a project on the best movie there ever was. I am also trying to understand the Scientific method so I will have a good case about what the best movie ever was. I would really like your help. I am trying to find a Live Resource; they need to be a movie critic, and I was wondering if he would be willing to help me. I basically just really want to know what he looks for in a good movie and what makes it a great movie. Please email me back as soon as you can. gt16064@students.dce.k12.wi.us
    Thanks,
    Grace

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon