By MCN Editor editor@moviecitynews.com

MONUMENTAL Cinematic Event Celebrates America’s Story of Faith and Freedom with Host Kirk Cameron Live in Theaters Nationwide

NCM Fathom and Kirk Cameron Present Inspirational One-Night Event with Special Guests and Live Musical Performances in Select Movie Theaters on Tuesday, March 27

Centennial, Colo. – Feb. 9, 2012 – This spring, audiences across the country will unite to celebrate America’s story of faith and freedom with MONUMENTAL: In Search of America’s National Treasure Live, a one-night event on Tuesday, March 27, at 7:30 p.m. ET/6:30 p.m. CT/5:30 p.m. MT/8:00 p.m. PT (tape delayed). Hosted by well-known actor Kirk Cameron, MONUMENTAL reveals the story of the unlikely men and women who risked all for liberty, including the struggles of the Pilgrims, and shares stories of faith that helped shape education, government and civic life in the United States. This special in-theater event will also include live performances from popular Christian music artists, as well as exclusive interviews with media, faith and political figures who will share simple and practical ways to keep America’s ideals alive, beginning at home.

Tickets for MONUMENTAL: In Search of America’s National Treasure Live are available beginning Friday, Feb. 10 at participating theater box offices and online at www.FathomEvents.com. For a complete list of theater locations and prices, visit the NCM Fathom website (theaters and participants are subject to change).

“I am thrilled to be partnering with Fathom Events to bring this unique theatrical event to audiences across America, as families and groups from every community experience this powerful moment together,” said Cameron. “Over the past year-and-a-half I’ve traveled across the U.S. and Europe to discover the true national treasure of America.    I wanted to find out who the people were that built this country – the heroic men and women who sacrificed everything to be free and give their children and their grandchildren freedom and prosperity. What I found is simply amazing.”

Presented by NCM Fathom and Kirk Cameron, MONUMENTAL: In Search of America’s National Treasure Live will be broadcast to nearly 550 select movie theaters across the country through NCM’s exclusive Digital Broadcast Network.

“Through this inspiring, family-friendly in-theater event, audiences will rediscover those who sacrificed everything, so future generations could experience the American dream,” said Dan Diamond, senior vice president of NCM Fathom.

Moved by the current economic, political and moral issues facing the country, MONUMENTAL, directed by Duane Barnhart, chronicles Cameron’s personal journey to historic sites across Europe and the U.S. to discover the secret that has made America the freest and most prosperous country in the word. As Cameron retraces the heroic and faithful beginnings of America, he discovers a monument to the founding fathers that answers what core principles will keep America strong, free, and well: freedom, justice, education, morality, and religion. Cameron is a television and film actor, noted recently for his work in the inspirational film,Fireproof. He is also known for his memorable roles on ABC’s Growing Pains, the Left Behind movies, and co-host of The Way of the Master television series.

About National CineMedia (NCM)

NCM operates NCM Media Networks, a leading integrated media company reaching U.S. consumers in movie theaters, online and through mobile technology.  The NCM Cinema Network and NCM Fathom present cinema advertising and events across the nation’s largest digital in-theater network, comprised of theaters owned by AMC Entertainment Inc., Cinemark Holdings, Inc. (NYSE: CNK), Regal Entertainment Group (NYSE: RGC) and other leading regional theater circuits. NCM’s theater advertising network covers 176 Designated Market Areas® (49 of the top 50) and includes over 18,300 screens (17,300 digital). During 2010, approximately 700 million patrons attended movies shown in theaters in which NCM currently has exclusive, cinema advertising agreements in place.  The NCM Fathom Events broadcast network is comprised of nearly 700 locations in 165 Designated Market Areas® (all of the top 50). The NCM Interactive Network offers 360-degree integrated marketing opportunities in combination with cinema, encompassing 42 entertainment-related websites, online widgets and mobile applications.  National CineMedia, Inc. (NASDAQ: NCMI) owns a 48.7% interest in and is the managing member of National CineMedia LLC. For more information, visit www.ncm.com.

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One Response to “MONUMENTAL Cinematic Event Celebrates America’s Story of Faith and Freedom with Host Kirk Cameron Live in Theaters Nationwide”

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon