By Ray Pride Pride@moviecitynews.com

NOMINEES ANNOUNCED FOR IFP’S 22nd ANNUAL GOTHAM INDEPENDENT FILM AWARDS

Posted Thursday, October 18th, 2012 - 1 Comment »
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Nominations Honor 26 Films

Beasts of the Southern Wild, Bernie, Middle of Nowhere, and Moonrise Kingdom Receive Two Nominations Each

New York, NY (October 18, 2012) – The Independent Filmmaker Project (IFP), the nation’s oldest and largest organization of independent filmmakers announced today the nominees for the Gotham Independent Film Awards™.  Signaling the kick-off to the film awards season, IFP’s Gotham Independent Film Awards™ nominations were given to a total of 26 films across six competitive categories for Best Feature, Best Documentary, Breakthrough Director, Breakthrough Actor, Best Ensemble Performance, and Best Film Not Playing at a Theater Near You.

The Gotham Awards ceremony will be held on Monday, November 26 at Cipriani Wall Street.  In addition to the competitive awards, actors Marion Cotillard and Matt Damon, director David O. Russell, and Participant Media founder Jeff Skoll will each be presented with a career tribute.

As the first major awards ceremony of the film season, the Gotham Independent Film Awards™ provide critical early recognition and media attention to worthy independent films. Previous winners for Best Feature and Best Documentary include BEGINNERS (2011), THE TREE OF LIFE (2011), BETTER THIS WORLD (2011), WINTER’S BONE (2010), THE OATH (2010), THE HURT LOCKER (2009), and FOOD, INC. (2009). The awards are also unique for their ability to assist in catapulting award recipients prominently into national awards season attention, including recent winners and ultimate Oscar® contenders:  feature winners BEGINNERS (2011), TREE OF LIFE (2011), WINTER’S BONE (2010) and THE HURT LOCKER (2009); Breakthrough Actors  Melissa Leo (2008), Ellen Page (2007), Rinko Kikuchi (2006) and Amy Adams (2005).

Primary criteria for nomination consideration includes that the works be independently distributed American feature-length films (US-based or US-born directors and producers) made with a point of view. For a complete list of criteria, see http://gotham.ifp.org

Since 2004, when IFP increased the number of the Gotham Award categories, expanded the criteria to include filmmakers beyond New York, and moved the awards ceremony to “awards season,” nominees have been selected by groups of distinguished film critics, journalists, festival programmers, and film curators. Separate juries of writers, directors, actors, producers, editors and others directly involved in making films will determine the final Gotham Award recipients.

This year 21 such writers and programmers participated in the nomination process, considering 211 eligible submissions. The Nominating Committees for the 2012 Gotham Independent Film Awards were:

Nominating Committee for Best Feature and Breakthrough Director:

Scott Foundas, Associate Program Director, Film Society of Lincoln Center; Contributing Editor, Film Comment

Ann Hornaday, Film Critic, The Washington Post

Glenn Kenny, Chief Film Critic, MSN Movies

Karina Longworth, Film Writer, LA Weekly & Village Voice

Wesley Morris, Film Critic, The Boston Globe

Nominating Committee for Best Ensemble Performance and Breakthrough Actor:

Peter Debruge, Senior Film Critic/Associate Features Editor, Variety

Ed Gonzales, Film Editor and Co-Founder, Slant Magazine

Eric Kohn, Lead Film Critic, Indiewire

Leah Rozen, Movie Critic, The Wrap.com and freelance writer

Elizabeth Weitzman, Film Critic, New York Daily News

Nominating Committee for Best Documentary:

Cynthia Fuchs, Film-TV Editor, PopMatters

Tom Hall, Artistic Director, Sarasota Film Festival

Rachel Rosen, Artistic Director, San Francisco Film Society

Ronnie Scheib, Film Critic, Variety

Sky Sitney, Festival Director, AFI-Discovery Channel Silverdocs Festival

Nominating Committee for Best Film Not Playing at a Theater Near You:

Joshua Siegel, Associate Curator, Department of Film, Museum of Modern Art; and members of the editorial staff of Filmmaker Magazine: Scott Macaulay (Editor-in-Chief), Nick Dawson, Brandon Harris, Ray Pride, Alicia Van Couvering

“From master film artists to richly talented newcomers, this year’s nominees comprise a diverse group of filmmakers and actors that defines the spectrum of independent film today” said Joana Vicente, Executive Director of IFP. “In addition to celebrating the work and the community, we also hope that the Gotham Award attention will encourage more audiences to explore the range of vibrant, entertaining, challenging, and innovative films represented here.”

The nominations for the 2012 Gotham Independent Film Awards are:

Best Feature

 

Bernie

Richard Linklater, director; Richard Linklater, Ginger Sledge, Celine Rattray, Martin Shafer, Liz Glotzer, Matt Williams, David McFadzean, Judd Payne, Dete Meserve, producers (Millennium Entertainment)

 

The Loneliest Planet

Julia Loktev, director; Jay Van Hoy, Lars Knudsen, Helge Albers, Marie Therese Guirgis, producers (Sundance Selects)

 

The Master

Paul Thomas Anderson, director; Joanne Sellar, Daniel Lupi, Paul Thomas Anderson, Megan Ellison, producers (The Weinstein Company)

 

Middle of Nowhere

Ava DuVernay, director; Howard Barish, Ava DuVernay, Paul Garnes, producers (AFFRM and Participant Media)

 

Moonrise Kingdom

Wes Anderson, director; Wes Anderson, Scott Rudin, Steven Rales, Jeremy Dawson, producers (Focus Features)

 

 

Best Documentary

 

Detropia

Heidi Ewing and Rachel Grady, directors; Heidi Ewing, Rachel Grady, Craig Atkinson, producers (Loki Films)

 

How to Survive a Plague

David France, director; Howard Gertler, David France, producers (Sundance Selects)

 

Marina Abramović: The Artist is Present

Matthew Akers, director; Jeff Dupre, Maro Chermayeff, producers (HBO Documentary Films and Music Box Films)

 

Room 237

Rodney Ascher, director; Tim Kirk, producer (IFC Midnight)

 

The Waiting Room

Peter Nicks, director; Peter Nicks, Linda Davis, William B. Hirsch, producers (International Film Circuit)

 

 

Best Ensemble Performance

 

Bernie

Jack Black, Shirley MacLaine, Matthew McConaughey (Millennium Entertainment)

 

Moonrise Kingdom

Bruce Willis, Edward Norton, Bill Murray, Frances McDormand, Tilda Swinton, Jared Gilman, Kara Hayward, Jason Schwartzman, Bob Balaban (Focus Features)

 

Safety Not Guaranteed

Aubrey Plaza, Mark Duplass, Jake Johnson, Karan Soni, Jenica Bergere, Kristen Bell, Jeff Garlin, Mary Lynn Rajskub (Film District)

 

Silver Linings Playbook

Bradley Cooper, Jennifer Lawrence, Robert De Niro, Jacki Weaver, Chris Tucker, Anupam Kher (The Weinstein Company)

 

Your Sister’s Sister

Emily Blunt, Rosemarie Dewitt, Mark Duplass (IFC Films)

 

 

Breakthrough Director

 

Zal Batmanglij for Sound of My Voice (Fox Searchlight Pictures)

Brian M. Cassidy and Melanie Shatzky for Francine (Factory 25 and The Film Sales Company)

Jason Cortlund and Julia Halperin for Now, Forager (Argot Pictures)

Antonio Méndez Esparza for Aquí y Allá (Here and There) (Torch Films)

Benh Zeitlin for Beasts of the Southern Wild (Fox Searchlight Pictures)

 

 

Breakthrough Actor

 

Mike Birbiglia in Sleepwalk with Me (IFC Films)

Emayatzy Corinealdi in Middle of Nowhere (AFFRM and Participant Media)

Thure Lindhardt in Keep the Lights On (Music Box Films)

Melanie Lynskey in Hello, I Must Be Going (Oscilloscope Laboratories)

Quvenzhané Wallis in Beasts of the Southern Wild (Fox Searchlight Pictures)

 

 

Best Film Not Playing at a Theater Near You

 

Kid-Thing

David Zellner, director; Nathan Zellner, Producer

 

An Oversimplification of Her Beauty

Terence Nance, director; Terence Nance, Andrew Corkin, James Bartlett, producers

 

Red Flag

Alex Karpovsky, director; Alex Karpovsky, Michael Bowes, producers

 

Sun Don’t Shine

Amy Seimetz, director; Kim Sherman, Amy Seimetz, producers

 

Tiger Tail in Blue

Frank V. Ross, director; Adam Donaghey, Drew Durepos, producers

 

 

For the second consecutive year, IFP is proud present the euphoria Calvin Klein Spotlight on Women Filmmakers ‘Live the Dream’ grant, a $25,000 cash award for an alumna of IFP’s Independent Filmmaker Labs. This grant aims to further the careers of emerging women directors by supporting the completion, distribution and audience engagement strategies of their first feature film.

 

The nominees are:

Leah Meyerhoff, director, I BELIEVE IN UNICORNS

Stacie Passon, director, CONCUSSION

Visra Vichit Vadakan, KARAOKE GIRL

 

 

The 3rd Annual Gotham Independent Film Audience Award will be voted on again by the independent film community, 230,000 film fans worldwide.  To be eligible, a U.S. film must have won an audience award at one of the top 50 U.S. or Canadian film festivals from November 2011 through October 2012.  Voting begins today at http://gotham.ifp.org/audience_award for the 31 films on the eligibility list.  The nominees will be announced November 5th, and the winner will be revealed at the Gotham Awards ceremony.

 

The recipient of the Best Film Not Playing at a Theater Near YouÒ award is determined by the editorial staff of Filmmaker Magazine, a publication of IFP, and a curator from The Museum of Modern Art (MoMA). All of these nominees will also be screened for the public at MoMA from November 16-19, 2012.

 

The Premier Sponsors of the 22nd annual Gotham Independent Film Awards™ are Royal Bank of Canada (RBC) and The New York Times, Presenting Sponsor euphoria Calvin Klein, Official Water FIJI Water, Official Spirit Russian Standard Vodka, Official Wine Partner Mionetto Prosecco, Official Partners: charitybuzz; MoMA; Andaz Wall Street. Additionally, the awards will be promoted nationally in an eight-page special advertising section in The New York Times on November 16th, 2012.

 

 

 

2012 Gotham Independent Film Awards™ – Alphabetical List of Nominated Films

 

Aquí y Allá (Here and There)

Breakthrough Director

 

Beasts of the Southern Wild

Breakthrough Director

Breakthrough Actor

 

Bernie

Best Feature

Best Ensemble Performance

 

Detropia

Best Documentary

 

Francine

Breakthrough Director

 

Hello, I Must Be Going

Breakthrough Actor

 

How to Survive a Plague

Best Documentary

 

Keep the Lights On

Breakthrough Actor

 

Kid-Thing

Best Film Not Playing at a Theater Near You

 

The Loneliest Planet

Best Feature

 

Marina Abramović: The Artist is Present

Best Documentary

 

The Master

Best Feature

 

Middle of Nowhere

Best Feature

Breakthrough Actor

 

Moonrise Kingdom

Best Feature

Best Ensemble Performance

 

Now, Forager

Breakthrough Director

 

An Oversimplification of Her Beauty

Best Film Not Playing at a Theater Near You

 

Red Flag

Best Film Not Playing at a Theater Near You

 

Room 237

Best Documentary

 

Safety Not Guaranteed

Best Ensemble Performance

 

Silver Linings Playbook

Best Ensemble Performance

 

Sleepwalk with Me

Breakthrough Actor

 

Sound of My Voice

Breakthrough Director

 

Sun Don’t Shine

Best Film Not Playing at a Theater Near You

 

Tiger Tail in Blue

Best Film Not Playing at a Theater Near You

 

The Waiting Room

Best Documentary

 

Your Sister’s Sister

Best Ensemble Performance

 

 

About Independent Filmmaker Project (IFP) The Independent Filmmaker Project (IFP) is one of the nation’s oldest and largest not-for-profit advocacy organizations for independent filmmakers. Since its debut at the 1979 New York Film Festival, IFP has supported the production of over 7,000 films and offered resources to more than 20,000 filmmakers, providing an opportunity for many diverse voices to be heard. IFP believes that independent films enrich the universal language of cinema, seeding the global culture with new ideas, kindling awareness, and fostering activism. The organization has championed early work by pioneering, independent filmmakers, including Charles Burnett, Edward Burns, Jim Jarmusch, Barbara Kopple, Michael Moore, Mira Nair and Kevin Smith.

 

 

 

IFP represents a network of 10,000 filmmakers in New York City and around the world. Through its workshops, seminars, conferences, mentorships and Filmmaker Magazine, IFP schools its members in the art, technology and business of independent filmmaking. The year-round program includes an Independent Film Week, The Gotham Awards, Filmmaking Labs and Seminars, and a range of programs to promote racial, ethnic, religious, ideological, gender and sexual diversity. IFP, often in collaboration with other cultural institutions, builds audiences by hosting premieres and special screenings.

 

For more information: www.ifp.org

 

 

 

About the Gotham Independent Film Awards™

 

The Gotham Independent Film Awards, selected by distinguished juries and presented in New York City, the home of independent film, are the first honors of the film awards season. This public showcase honors the filmmaking community, expands the audience for independent films, and supports the work that IFP does behind the scenes throughout the year to bring such films to fruition.

For information on attending: http://gotham.ifp.org

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Posted in Movie City News, Press Releases | 1 Comment »

One Response to “NOMINEES ANNOUNCED FOR IFP’S 22nd ANNUAL GOTHAM INDEPENDENT FILM AWARDS”

  1. Keil Shults says:
    October 18, 2012 at 9:15 pm

    Odd that Silver Linings didn’t get a Best Feature nod. However, it seems that all my frustration and complaining over Bernie being dumped unceremoniously and unsupported into theaters earlier this year is proving justified. I’ve never honestly felt it was a genuine Oscar contender, but it deserved much more attention than it got, and could have been a financial success with a little love from its “backers.” Hopefully the indie award circuit will give it the recognition it deserves.

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon