By MCN Editor editor@moviecitynews.com

Complete List Of 86th Academy Award Nominations

Posted Thursday, January 16th, 2014 - 3 Comments »
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Best motion picture of the year
“American Hustle”
“Captain Phillips”
“Dallas Buyers Club”
“Gravity”
“Her”
“Nebraska”
“Philomena”
“12 Years a Slave”
“The Wolf of Wall Street”

Performance by an actor in a leading role
Christian Bale, “American Hustle”
Bruce Dern, “Nebraska”
Leonardo DiCaprio, “The Wolf of Wall Street”
Chiwetel Ejiofor, “12 Years a Slave”
Matthew McConaughey, “Dallas Buyers Club”

Performance by an actress in a leading role
Amy Adams, “American Hustle”
Cate Blanchett, “Blue Jasmine”
Sandra Bullock, “Gravity”
Judi Dench, “Philomena”
Meryl Streep, “August: Osage County”


Performance by an actor in a supporting role
Barkhad Abdi, “Captain Phillips””
Bradley Cooper, “American Hustle”
Michael Fassbender, “12 Years a Slave”
Jonah Hill, “Wolf of Wall STreet”
Jared Leto, “Dallas Buyers Club”

Performance by an actress in a supporting role
Sally Hawkins, “Blue Jasmine”
Jennifer Lawrence, “American Hustle”
Lupita Nyong’o, “12 Years a Slave”
Julia Roberts, “August: Osage County”
June Squibb, “Nebraska”

Achievement in directing
David O. Russell, “American Hustle”
Alfonso Cuarón, “Gravity”
Alexander Payne, “Nebraska”
Steve McQueen, “12 Years a Slave”
Martin Scorsese, “The Wolf of Wall STreet”

Adapted Screenplay
“Before Midnight”
“Captain Phillips”
“Philomena”
“12 Years a Slave”
“The Wolf of Wall Street”

Original Screenplay
“American Hustle”
“Blue Jasmine”
“Dallas Buyers Club”
“Her”
“Nebraska”

Best foreign language film of the year
“The Broken Circle Breakdown” (Belgium)
“The Hunt” (Denmark)
“The Great Beauty” (Italy)
“The Missing Picture” (Cambodia)
“Omar” (Palestine)

Best animated feature film of the year
“The Croods”
“Despicable Me 2”
“Ernest and Celestine”
“Frozen”
“The Wind Rises”

Best documentary feature
“The Act of Killing”
“Cutie and the Boxer”
“Dirty Wars”
“The Square”
“20 Feet From Stardom”

Achievement in cinematography
“The Grandmaster”
“Gravity”
“Inside Llewyn Davis”
“Nebraska”
“Prisoners”

Achievement in costume design
“American Hustle”
“The Grandmaster”
“The Great Gatsby”
“The Invisible Woman”
“12 Years a Slave”

Achievement in film editing
“American Hustle”
“Captain Phillips”
“Dallas Buyers Club”
“Gravity”
“12 Years a Slave”

Achievement in makeup and hairstyling
“Dallas Buyers Club”
“Jackass Presents: Bad Grandpa”
“The Lone Ranger”

Original score
“The Book Thief”
“Gravity”
“Her”
“Philomena”
“Saving Mr. Banks”

Best Music (Original Song)
“Alone yet, not alone” from “Alone, Yet Not Alone”
“Happy” from DM2
“Let it Go” from “Frozen”
“The Moon Song” from “Her”
“Ordinary Love” from “Mandela: Long Walk to Freedom”

Achievement in production design
“American Hustle”
“Gravity”
“The Great Gatsby”
“Her”
“12 Years a Slave”

Achievement in sound editing
“All is Lost”
“Captain Phillips”
“Gravity”
“The Hobbit: The Desolation of Smaug”
“Lone Survivor”

Achievement in sound mixing
“Captain Phillips”
“Gravity”
“The Hobbit: The Desolation of Smaug”
“Inside Llewyn Davis”
“Lone Survivor”

Achievement in visual effects
“Gravity”
“The Hobbit: The Desolation of Smaug”
“Iron Man 3”
“The Lone Ranger”
“Star Trek: Into Darkness”

Best animated short
“Feral”
“Get a Horse!”
“Mr. Hublot”
“Possessions”
“Room on the Broom”

Best live action short
“A quel No Era Yo (That Wasn’t Me)”
“Avant De Tout Perdre” (Just Before Losing Everything)”
“Helium”
“Pitääkö Mun Kaikki Hoitaa? (Do I Have to Take Care of Everything?)”
“The Voorman Problem”

Best documentary short
“CaveDigger”
“Facing Fear”
“Karama Has No Walls”
“The Lady in Number 6: Music Saved My Life”
“Prison Terminal: The Last Days of Private Jack Hall”

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Posted in Awards Update, Awards Watch, Note Pad | 3 Comments »

3 Responses to “Complete List Of 86th Academy Award Nominations”

  1. Pete B. says:
    January 16, 2014 at 6:54 am

    A Jackass movie gets nominated for an Oscar? Wow!

  2. Hank Graham says:
    January 16, 2014 at 9:21 am

    They did it again! They nominated the special effects movie for best cinematography. It’s “Life of Pi” all over, again.

  3. spasky says:
    January 16, 2014 at 9:29 am

    The difference is that Lubezki was thoroughly involved in all integration of vfx, so not quite the same.

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon