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David Poland

By David Poland poland@moviecitynews.com

Friday Estimates by Thanos Jr Klady

Friday Estimatres 2018-05-05 at 8.58.08 AM

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10 Responses to “Friday Estimates by Thanos Jr Klady”

  1. Thorough Henry says:

    That percentage drop for Infinity War is sure to get better by the end of the weekend. Breaking 50% seems crazy, but also pretty easy at this point.

  2. Sideshow Bill says:

    Spending $$ to remake stuff like OVERBOARD just makes me shake my head. Who makes these stupid decisions? I love Anna Faris but I will never watch this. The original is dated but it has Kurt Russell and his amazing mullet.

    What’s next? A reboot of SUMMER RENTAL starring Jack Black, and Stephen Root as Sully? CAPTAIN RON with Gerard Butler?

  3. Hcat says:

    I would take Blunt and Krasinski in an Undercover Blues remake. You know, since we’re spitballin’.

    Thought Tully would do better, between this Thouroughbreeds and Entebbe they are having a rough year. They keep putting these out pretty wide but with what seems like limited release marketing campaigns

  4. Bender says:

    FATAL BEAUTY with Kevin Hart and Margot Robbie

    BODY OF EVIDENCE with Rhianna and Michael Ealy

  5. Ray Pride says:

    OVERBOARD is a Pantelion co-venture for the lucrative Spanish-speaking market. Derbez is the star.

  6. Heather says:

    I have no desire to see overboard either but it looks like its going to make money so there’s the answer.

  7. Bulldog68 says:

    I don’t want a remake, but I do want a sequel to Big Trouble in Little China, and starring the original cast. Return to Bigger Trouble in Little China. Keep the budget small. Don’t make the same mistake Blade Runner did. I wouldn’t even spend Jumanji dollars on this. Bring it in at $35m like IT and maybe it could make some money. The original was a box office failure but it became a cult classic that I believe has enough of a base to be a mid sized hit without having to be a blockbuster to be a success.

  8. Thorough Henry says:

    @HCat, you eat your words. Undercover Blues is a perfect piece of cinema and under no circumstances should it ever be remade by anyone.

  9. Hcat says:

    MARTY!

    Henry, I fondly remember Undercover Blues as being a quintessential 80s movie that was unfortunately released in 1993. Certainly no disrespect intended.

  10. palmtree says:

    Big Trouble part 2 with everyone coming back would be a trip. Too bad Victor Wong isn’t around but I think everyone else is. And some even got bigger like Kim Cattrall.

    Speaking of which, are people enjoying Cobra Kai? Seems like an 80s sequel that actually weirdly works.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
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“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon