DP/30 Archive for September, 2010

The King’s Speech actor Colin Firth

DP/30 chat with the title star of The King’s Speech, one of the hottest titles coming out of TIFF ’10.

Read the full article »

You Again director Andy Fickman

Read the full article » 2 Comments »

DP/13 – Wall Street: Money Never Sleeps actor Shia LaBeouf

It’s Shia. It’s iPhone. It’s not pretty. But worth watching for the Shia experience and some interesting insights into how he got into the WS2 role.

Read the full article »

DP/30 @ TIFF ’10: Henry’s Crime actors Keanu Reeves, James Caan, Vera Farmiga

DP/30 – The stars of the unexpected TIFF hit get together to chat with David Poland about making the film.

Read the full article » 5 Comments »

DP/30: State of the Union – Christine Vachon, producer

The queen of Killer Films, Christine Vachon, sits on a corner in Toronto with David Poland and talks about the indie industry, where she’s at (including a 5-part mini-series for HBO, Todd Haynes’ Mildred Pierce) and where we all might be going. (Watch out for passing buses!).

Read the full article » 35 Comments »

Catfish directors Henry Joost & Ariel Schulman, star Nev Schulman

DP/30 – The dynamic trio of filmmaker/subjects from the Sundance sensation Catfish talk with David Poland about how and why they made the film.

Read the full article » 1 Comment »

Never Let Me Go, screenwriter Alex Garland & novelist Kazuo Ishiguro

DP/30 – A chat with the two wordsmiths behind Never Let Me Go, screenwriter Alex Garland & novelist Kazuo Ishiguro

Read the full article »

Never Let Me Go actors Carey Mulligan & Andrew Garfield

DP/30: Carey Mulligan and Andrew Garfield chat with David Poland about their new film (some spoilers)

Read the full article » 22 Comments »

Never Let Me Go director Mark Romanek

THERE WILL BE SPOILERS!

Read the full article » 3 Comments »

Bright Star, director Jane Campion, actor Ben Whishaw (TIFF ’09)

The complete version of this interview got lost in the shuffle. Apologies. Never too late, I guess.

Read the full article » 7 Comments »

Heartbreaker, director Pascal Chaumeil actors Romain Duris and Vanessa Paradis

DP/30 chats up the director and 2 stars of this runaway French hit.

Read the full article » 5 Comments »

Tamara Drewe, dir Stephen Frears

At 69, Stephen Frears is one of the oldest working directors and one of the most prolific of any age. This year, he decided to take on the adult graphic novel, Tamara Drewe. He’s making the fest circuit with the film, but took 30 minutes to chat with David Poland about the film and a life in cinema.

Read the full article » 1 Comment »

EASY A, actor Emma Stone, director Will Gluck

In anticipation of their film’s launch at the Toronto Film Festival, director Will Gluck and budding superstar Emma Stone chat with David Poland. (DP/30 now in living color… and it streams!)

Read the full article » 1 Comment »

DP/30

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon