Sundance Film Festival

USA TODAY Goes Deep At Sundance To Scratch “Catdance”

USA TODAY Goes Deep At Sundance To Scratch “Catdance”

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TWC Makes Fruitvale Stop At Sundance

TWC Makes Fruitvale Stop At Sundance

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TWC/RADiUS Admit Concussion

TWC/RADiUS Admit Concussion

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Sundance Review: We Are What We Are

There are some terrific performances in this film, most notably from Childers and Garner, who move seamlessly from wide-eyed naivete to fierce protectiveness. And man, is this a gorgeous, well-put together film, with frame after carefully composed frame of black and blue color palette sumptuously filling the screen, light and shadow effectively evoking mood, some nicely literary use of metaphor, and a score that moves things along without being heavy-handed or manipulative. The contrast of the beauty with which the film is shot and its macabre subject matter creates its own sort of tension that quite effectively serves the story.

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“I hope that every human being on the planet sees Escape from Tomorrow! But who doesn’t honestly want that for their first film? Fortunately, I think the movie works on multiple levels, so hopefully there’s enough pomp and circumstance to satisfy and frustrate everyone equally.”

“I hope that every human being on the planet sees Escape from Tomorrow! But who doesn’t honestly want that for their first film? Fortunately, I think the movie works on multiple levels, so hopefully there’s enough pomp and circumstance to satisfy and frustrate everyone equally.”

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A24 Lives In The Spectacular Now

A24 Lives In The Spectacular Now

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Sundance Review: The World According To Dick Cheney, After Tiller

A credulous, shallow, near-hagiography of an elected official; a tender, melancholy yet emphatic observational doc.

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Sundance Selects Wages Dirty Wars At Sundance

Sundance Selects Wages Dirty Wars At Sundance

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Sundance Review: Kill Your Darlings

Radcliffe flawlessly takes Ginsberg on his journey from naïve middle-class Jersey boy to awakening young writer, from an emerging poet inspired by the casting aside of tradition and structure of Walt Whitman to the early stages of manic creative energy that shaped the influential writer he would grow to become. It’s terrific to see Radcliffe making such smart choices in his post-Harry Potter career, establishing himself as a young actor who’s pushing himself and stretching far beyond what anyone might have imagined.

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Sundance Review: May In The Summer; Crystal Fairy

As Sundance is a festival dedicated to discovering the latest gems of independent cinema, it’s appropriate that the event takes place in a historic mining town; the majestic Wasatch mountain range acting as a panoramic backdrop for all the festivities.

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Turan On Drake Doremus Keeping It Simple At Sundance

Turan On Drake Doremus Keeping It Simple At Sundance

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Sundance Review: When I Walk

As part of coming to terms with the new and ever-shifting “normal” that would be the rest of his life, DaSilva followed his instinct, picked up his camera, and turned it on himself. This project could have devolved into the maudlin and self-absorbed; instead DaSilva’s strength and resilience, his determination to stay positive – bolstered in part by his relentlessly positive mother, who’s prone to calling him out on any over-privileged American kid whining and reminding him constantly that we only have one life to live, and have to make the most of it – is what shines through every frame of his story.

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Surveying 10 Films About Creativity At Sundance

Surveying 10 Films About Creativity At Sundance

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Sundance Review: After Tiller

Imagine being pregnant with a lovingly anticipated child, having what you thought was a normal pregnancy, preparing the baby’s room, dreaming about the future the child kicking inside you will have – and then learning late in the pregnancy that your child has something terribly wrong with it, so wrong that the most humane choice you can make is to allow a doctor to gently euthanize him in the womb so that you can go through the pain of labor and delivery to push forth your already dead child. I know women who have had to make that awful choice. I’m grateful I never had to.

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Will Escape From Tomorrow Ever Escape The Prospector Square Theater In Park City?

Exit Through The Cinetic Deal Door Will Escape From Tomorrow Ever Escape The Prospector Square Theater In Park City?

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Kohn Concurs

“Blatantly constructed to provoke the ire of the billion-dollar entity in its crosshairs, the movie gets the point across through the sheer rebelliousness of its production.” And – Kohn Concurs

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A Decent Sundance Newbie Lookie-Loo From Grantland’s Zach Baron

“There are two rules: Do not talk to the publicists, unless you have to. And do not burn the publicists, unless you have to.” A Decent Sundance Newbie Lookie-Loo From Grantland’s Zach Baron

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The Least-Noticed Institution Sending Alumni To Sundance May Be The University Of North Carolina School Of The Arts

The Least-Noticed Institution Sending Alumni To Sundance May Be The University Of North Carolina School Of The Arts

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Sundance: Tim Hetherington, His Life And Death

Sundance: Tim Hetherington, His Life And Death

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Sundance ’13: Day One

And then there is the sex. We’ve already seen Gaby Hoffman running around buck naked – and not highly sexualized – in the title role of Crystal Fairy. But just wait til they get a load of dick. James Franco is the finger in the ass of Sundance this year, with two strong pieces.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon