The Hot Blog Archive for December, 2007

Friday Estimates by Klady

Well.
No precedent for this one.
The only other $30 million-plus opening day in December was Lord of The Rings: Return of The King, third of a massively successful trilogy

18 Comments »

Box Office Hell

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Lunch With… James McAvoy

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James McAvoy sat down to talk about Atonement the day before his Golden Globe nomination. We discuss his work on stage and scree, the joy of working blue screen, the stylistic choices in the film, and the power and danger of both the “C” and the “N’ words.
The interview

3 Comments »

BYOB – 12/14

It’s your world… I’m just he guy with the hors devours…

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Selling Cloverfield

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A Commenter Graduates

It’s always nice to celebrate happy occasions. This week, Joe Leydon…
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The last time I received a diploma, Richard Nixon was in the White House. More than 33 years later, I am, as of today, a Master of Arts, thanks to my incredibly patient mentors at the University of Houston’s School of Communication. Let there be dancing in the streets, drinking in the saloons and necking in the park. Feel free to have a glass or two of Beaujolais Nouveau in my name, if not on my bill, and share wine kisses with the one(s) you love.
Of course, all of you lesser mortals now will have to address me as “Master Leydon.” (Well, OK, at least for the next day or two.) And just to please me, the college’s latest celebrity alumnus, the mighty UH Cougars will smite the lowly TCU Hornfrogs in the Dec. 28 Texas Bowl. Go Coogs!

30 Comments »

LWD – Viggo

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Viggo Mortensen, who just got Golden Globe nominated for Eastern Promises, sits down to talk about his work with David Cronenberg and the work of getting into his character as a Russian mob thug with style and pathos.
The interview…

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Lunch With David – Julie Taymor

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Julie Taymor, one of the cinema world’s great visual directors, on her latest work, Across The Universe, which was nominated for Best Musical/Comedy today by the Golden Globes.
The interview…

1 Comment »

Lunch With David #50

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I couldn’t be happier to have this duo as our 50th LWD episode. Two brilliant actors, each with very different styles in their work and lives. Michael Clayton‘s award nominated duo of Tilda Swinton and Tom Wilkinson hadn’t met before this interview, having had no scenes together in the film. They talk acting philosophy, the film, Tony Gilroy, George Clooney, and whether exposing yourself on screen is really all that daring.
The interview…

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Lunch With David #49 – Nancy Oliver

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The screenwriter of Lars & The Real Girl talkas about creating this challenging, sweet, remarkable screenplay.
The interview…

20 Weeks – Damaged Frontal Globe

I

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The Quick Version

The Globes, as usual, found a way to discount their significance.
Not only did they choose 7 dramas to reward with nominations, they didn

37 Comments »

There Will Be Fighting

I guess I will throw my twenty cents into the tempest in this week

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Lunch With… Leslie Mann

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The much buzzed Leslie Mann of Knocked Up chats about her career, life, and being “the girl” in show business.
The interview

2 Comments »

Lunch With Adam Shankman

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Adam Shankman, director of Hairspray, as well as Bringing Down The House and The Pacifier, talks about his career, his road to success, Travolta, and more…
The interview

5 Comments »

The Hot Blog

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon