Posts Tagged ‘Charlie Sheen’

On Charlie Sheen and an Ethical Line in the Sand

Wednesday, March 2nd, 2011

Okay, look.

It’s fun to make fun of someone who’s making such a public display of bottoming out as Charlie Sheen is right now. I get it. I think partly our drive to point and laugh at the tragedy of a person falling apart is that it’s kind of fascinating to watch someone completely deteriorate … if you don’t know that person. Not so much when you do. And I think partly, we watch, and we snicker, and we pass around links to other people making fun of the implosion, because, well … because we can look at a Charlie Sheen falling to pieces in front of the world and thank God (or whatever deity we pray to) that it’s not us.

But people, really. A worldwide audience with 1,000,000 + people on Twitter egging on someone who’s clearly off his fucking rocker right now? Is like standing on a bridge egging on the suicidal jumper to take a leap. What’s happening in media around the Charlie Sheen debacle is just tragic, and really pushing the boundaries of any kind of ethics.

I’ve dealt with addiction in my life. I’ve watched a loved one sink into the depths of addiction faster than I ever thought possible, seen a person I thought I knew well turn into someone completely different. I’ve had my heart ripped out witnessing it. I’ve trembled in fear because of it. It’s like being Danny, the little kid in The Shining, desperately loving the kind, gentle father who turns into a monster with a roque mallet because of his narcissism and addiction, banging holes in the walls that will soon be your skull if he finds you, while you cower in fear.

A person falling off the deep end in this way is not, I assure you, funny to his kids. Or his parents. Or to anyone who knows him personally and cares about his demise in a way that the world, obviously, just does not.

And while there is a way back out of it — for some people (Robert Downey Jr, may you stay forever sober, please) — for many there is not. For Charlie Sheen, there may not be a way back. So tell me, please. What the hell is funny about that?

When Are Rights Wrong?

Wednesday, December 3rd, 1997

Well, that’s going to be up to a judge. The fight is over two competing movie versions of The Bang Bang Club, a real life group of four photographers known for their death-defying war photos. Movie rights are breaking up that old gang of theirs. Emilio Estevez is prepping his version, acquiring rights from the survivors of the two dead members of the club (one died in action, the other committed suicide). Meanwhile, the other two members, still quite alive, sold their rights to a South African filmmaker. Geez. When I saw The Bang Bang Club on the production charts, I assumed it was the story of Emilio’s brother, Charlie Sheen.
After switching locations from Israel to Morocco for security reasons (go the distance), Phil Alden Robinson’s Age of Aquarius is being held up for a more traditional reason. Money! Universal’s Harrison Ford drama is suffering the same problem as their John Travolta starrer, Primary Colors. Universal (and pretty much every other studio in town) won’t spend anything over $50 million on anything other than action (if you build it, they will come). Travolta and director Mike Nichols deferred most of their salaries to bring their $70 million budget down to a more reasonable $50 million. At $80 million, Age of Aquarius will demand a lot of concessions from $20 million-plus man Ford if the love story set in Sarajevo is ever to make it on screen. The buzz is that Ford’s interest is already waning (feel his pain). Did I mention that Robinson made Field of Dreams?
For those of you who want to know how the business really works, check out the upcoming One Track Mind. A recently sold spec script by Ben Queen, the script tells the story of one script tracker, a studio assistant who finds the perfect script and is ready to claim it for his own after the writer mysteriously dies in a Universal Studios tour tram accident. That is, until other trackers who’ve read the script turn up. Then he has to kill them too. If you think that’s far fetched, how do you think I get my Hot Button copy every day?

Last Tango In Paris
was recently sent to the ratings board again and unlike Midnight Cowboy, it’s still NC-17. The Hot Button should be so lucky. E-mail me your NC-17 buttons today!
And don’t forget The Whole Picture.

Sony Takes the BO Lead

Saturday, November 15th, 1997

Sony Pictures (a.k.a. Columbia/Tri-Star) has broken the box office, passing the previous record of $1.2 billion in domestic grosses for one year. The studio hit the record high six weeks earlier in the year than the previous record-holder, Disney, leading the box office pack for the first time in over 25 years. How’d they do it? Bugs! Men In Black‘s aliens were pretty buglike. Julia Roberts went buggy in My Best Friend’s Wedding. And Starship Troopers proves that bugs and tight pants mix just fine. Just one fly in Sony’s ointment. The run of hits is the product of the past administration and the deja-vu will continue until next Memorial Day Weekend’s release of Godzilla. Well, at least next year’s monster is a reptile. Thank goodness for evolution.
Former b.o. king, Walt Disney Studios, is going through its next evolution. Studio chief Joe Roth says that the studio will cut back to 22 releases next year after putting 40 flicks in theaters this year. By 1999, he says Disney will release only 15 films. As Roth told The Hollywood Reporter, “You have to make your shots count.” All of this would seem to make a lot of sense since no matter how cheaply you make a film, releasing the film costs at least $20 million and close to $40 million on average these days. This year, that’s about $1.2 Billion (with a capital “B”) out of Disney’s pocket before you even pay for the movies! If they cut 25 films from the schedule, saving $800 million, even missing one Men In Black-size hit and a few other moderate hits would leave the studio in better financial shape than they’re in now.
Finally, studio-moguls-to-be, Charlie Sheen and Bret Michaels, have started production on No Code of Conduct, their latest venture as Sheen/Michaels Productions (The first was a cheesecake calendar). Michaels will direct the film that he and Charlie wrote, with Charlie acting his butt off as a former vice cop. How original! One novel thing. The boys will be served legal papers in a few days that claim they refused to make good on their oral contract with Alexander Tabrizi and Anthony Esposito, a couple of producers who helped initiate the project on this, their maiden voyage.
Anything on your mind? Don’t be shy, e-mail me.