Posts Tagged ‘L.A. Confidential’

A Hot Button Holiday – Day 4

Tuesday, December 23rd, 1997

Warner Bros. is looking like a major Oscar player with all the critics awards for L.A. Confidential. If you go to their site, they’ll start you off with a trivia question and some ads before you jump into the main site. You can visit L.A. Confidential or The Postman. Or you can check out the last film from Turner Pictures, Fallen, starring Denzel Washington.
My nephew Charles, age 8, loves the WB kids site and the animation site. And he can’t get enough Batman, either the movie or the comic book).
Mel Gibson is a long-term Warner Bros. player. The site for Conspiracy Theory is still there. But if you want the hottest news on Mel, check out the wonderful page by Superfan, Lisa Hightower.
The story of Hanukkah, L.A. style. It’s the Whole Picture.
E-mail works though the holidays. Try it. You’ll like it.

The National Board of Review

Thursday, December 11th, 1997

The National Board of Review wins the award for first major film awards given out this year, weeks before many of the films are released. In fact, all the major awards except the Oscars will announce winners or nominees by next Thursday. The N.B.R. picked L.A. Confidential for Best Film and Best Director. Helena Bonham Carter got best actress in Wings Of The Dove. Anne Heche received Best Supporting Actress for the combo of the upcoming Wag The Dog and Donnie Brasco. (Funny, they didn’t mention Volcano) And As Good As It Gets, the James L. Brooks film due Christmas Day, won two; for Jack Nicholson snagged Best Actor and Greg Kinnear Best Supporting Actor. The Kinnear choice strikes me as a Golden Globe-like mistake-ination. But I haven’t seen the film yet. Coincidentally, this week’s The Whole Picture is all about the second lap of the Oscar race. Vote with your mouse.
Local jails are overflowing out here. First, Robert Downey Jr. doesn’t pass drug test, doesn’t win 200 hours of community service. Now, Christian Slater gets 90 days for his rampage last summer during which he bit a cop. Maybe if he had been wearing panties like Marv Albert the state would have let him plead to a misdemeanor. Of course, if I were a conspiracy nut, I’d say that this is all Oliver Stone’s way of getting the boys close to the Menendez Bros. for a few months, prepping his saga on the misunderstood shotgun murderers. With Glenn Close as Leslie Abramson and Andy Garcia as Jose Menendez. (Yes, I made that all up. Thank God!)
Last week, The Hot Button covered the high-rent marketing for James Bond. This week, it’s the low-rent deal that New Line has made for Lost In Space. Long John Silver has come on board for a cross-promotional effort. Yuck! Is that fish’n’chips or chicken or what? Somehow, I don’t see New Line convincing Gary Oldman and William Hurt to slap on the trademark eyepatch. Maybe that’s why the mini-major’s original promo deal with Little Caesar’s, fell through. No togas. That one’s still in litigation.
Hey! Come on and e-mail me. It’s low-rent fun!

Another By-the-Book Weekend at the Box Office

Monday, September 22nd, 1997

In & Out was all in, doing $15.3 million and besting last weekend’s $14 million opening for The Game, whose second weekend brought a reasonable 36% drop, banking another $9.2 million to take second place. L.A. Confidential, which opened on only 769 screens vs. Out’s 1,992, was expected to be the per-screen average winner, but the big-city butch cops got beaten by the small town queens, $7681 to $7152. A good number for L.A.C. (totaling $5.5 million for the fourth slot), but not as OUTstanding as expected. Maybe the platformed release pattern may not have been the best choice.
In the rest of the B.O. news, A Thousand Acres took a hit to its overall Oscar potential, with only $3 million cropping up to take the fifth spot with a $2,483 per-screen average. That’s $300 less per screen than Wishmaster (number three with a $6.5 million total) conjured up. The fact that, despite these numbers, Lange and Pfeiffer are still very real candidates for Oscar gold proves just how few great women’s roles there are out there. And even worse, the numbers show why there are more films made featuring serial killers than there are about thinking women.
Trimark Pictures has bought the rights to Wayne Wang’s next flick, Chinese Box. The question is, “Why?” Wang, the director of Miramax’s successful double-bill Smoke/Blue In The Face and Disney’s The Joy Luck Club, screened his Jeremy Irons-starring arthouse film at the Venice and Toronto film festivals before settling in with Trimark, the company that brought us Carrot Top in Chairman Of The Board and Angie Everhart taking her clothes off — does she do anything else? — in the 9 1/2 Weeks sequel. Another case of Art For Crap’s Sake.
In celebrity news, tragedy hit Yaphet Kotto when the limo he was riding in broke its rear axle, lost its right rear wheel, ran up an embankment, and burst into flames. No one was physically hurt, but in a $500,000 lawsuit, Kotto claims “serious bodily injury, emotional trauma, pain and suffering, and economic loss.” And worse — so much worse — Kotto “has not been able to get back in a limo since that time.” Please divert all donations to the Princess Diana or Mother Teresa Trusts to the Caddy For Kotto Fund. We can cure limowreckaphobia in our time.
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