Posts Tagged ‘The Peacemaker’

Not Many Surprises at the Weekend Box Office

Monday, October 20th, 1997

At least not for me. Despite the big names (Al Pacino and Keanu Reeves) and big publicity push, The Devil’s Advocate came in just an OK second, conjuring up $12.2 million. The good news is, it may be another Pacino scenery-chewing camp classic. The easy winner of the weekend was teen horror romp I Know What You Did Last Summer with a ripping $16.1 million. Despite a last-minute agreement by Sony not to abuse the “from the makers of Scream” tag, their marketing department grabbed teen attention with big ad buys and clever gimmick promos, like a two-minute “special preview” hosted by Sarah Michelle Gellar during last week’s episode of her WB series, “Buffy, The Vampire Slayer.” The only other wide release, Playing God, caught me once again overestimating the drawing power of non-movie star celebrities. Last week, it was Tupac. This week it’s Mr. Duchovny’s Doofus, which I predicted would reach fifth, but came in tenth with a weak $2 million.
The strength of the new product damaged the returning hits a little more than expected. Kiss The Girls ($7 million) and Seven Years in Tibet ($6.5 million) both dropped a little over 35 percent from last weekend. In & Out passed the $50 million mark in its fifth week, pulling in $3.9 million to become one of only two returnees in the Top 10 to drop less than 30 percent. Soul Food is now leftovers, dropping over 35 percent to $3.5 million for sixth place. Rocketman went according to plan, dropping to earth with $3 million on its way out of the Top 10. The Peacemaker is suffering nuclear fallout, dropping a substantial 44 percent to take eighth with $2.8 million. And in ninth, L.A. Confidential quietly dropped 27 percent, adding another $2.7 million to its haul.
In other box office news, the magnificent Boogie Nights, now in a 30-screen limited release in 13 cities, pulled in a throbbing $27,016 per screen over the weekend, compared to averages around $6000 a screen for this weekend’s top two hits. Boogie Nights won’t be in a theater near you, unless you are very lucky, until October 31. Hopefully, this won’t lead to flaccid box office the way it did for the also-excellent L.A. Confidential.
So, have you listened to my ringing endorsements? Have you seen L.A. Confidential yet? Email me and let me know what you think.

Kiss The Girls was the surprise of the weekend

Monday, October 13th, 1997

Kiss The Girls was the surprise of the weekend, holding onto the top spot with $11.1 million. Dropping just 16 percent is an extraordinary accomplishment for any wide release, much less a thriller. Then again, it’s clearly Adult Time at the box office, with Seven Years In Tibet (second place: $10 million), Soul Food (third: $5.4 million) and In & Out (fourth: $5.3 million) topping the chart. The only true kids’ film out there, Rocket Man, opened weakly, in sixth place with just $4.4 million.
Seven Years (Do you think it was Eight Years before Pitt got involved?) had a per-screen average of just $4,755, which doesn’t bode well for the future of Time Magazine’s Sexiest Film Alive. I’ve been touting Soul Food as a possible ethnic crossover film for weeks, but Fox has now decided to go the other way, launching a “You go, girl!” campaign, assuring that Soul Food will be a happy cable surprise to the bulk of white audiences. And In & Out will have to wait until next weekend to pass the magic (for the fall season, at least) $50 million mark.
Rounding out the Top 10 were: The Peacemaker in fifth with $5.2 million; L.A. Confidential dropping to seventh with $3.7; The Edge in eighth with $3.3; Most Wanted — my one dead-on estimate — grossing $3 for ninth spot; and Gang Related, proving to be the made-for-cable movie it was meant to be (and should have stayed, out of respect to Tupac), taking 10 with just $2.5 million.
Strong competition on the top of the charts this Friday, with The Devil’s Advocate and I Know What You Did Last Summer hitting tons of screens. More about that on Friday.
Reader RJW2000 emailed to challenge my box office predictions. His Top 5: Most Wanted ($10m), Soul Food ($6m), Kiss The Girls ($5m), L.A. Confidential ($3.5m) and Seven Years In Tibet ($2m), He added, “I bet a million dollars Seven Years does not come in first, let alone take in double digits!” You owe Morgan Freeman big time, since he saved you a million bucks. Keenen!
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Weekend Wrap-Up, The Peacemaker, The Edge

Monday, September 29th, 1997

The shock of the weekend wasn’t the explosion of The Peacemaker (more like a firecracker, with a decent, but hardly exciting $12.5 million for number one). It wasn’t the weak opening of The Edge (it was ahead of The Game with $8.2 million, as I predicted on Friday). It wasn’t even that I hit the L.A. Confidential box office draw exactly right ($4.5 million for sixth place)!
The shock of the weekend was Soul Food! An African-American dramedy that did serious business. If Soul Food ends up doing $45 million domestically, it will be a much bigger hit for Fox than The Peacemaker will be at $55 million for DreamWorks. In fact, at a cost of only $7 million, it would be a bigger hit than Waiting To Exhale, which grossed $66 million domestically, but cost $15 million. There are going to be a lot of executives spending their mornings trying to figure out why Soul Food is a hit and the wonderful love jones and A Family Thing missed. Could it be that Vivica Fox is a legitimate movie star? Since Independence Day, this is the fourth straight film she has done that has “opened.” Set It Off (opened at $11.8 million), Booty Call ($8.5 million), Batman & Robin (a Vivica-irrelevant $43 million) and now Soul Food. As good as Vanessa Williams is, her track record is a lot less clear. Congrats to you, Viv. Your price just went up.
In the rest of the box office news, In & Out held up, taking third spot with $11.3 million, dropping only 26 percent. The Game took another 45 percent plunge to $5.1 million and fifth place. Wishmaster hit seventh place with $3.3 million after its take was cut in half, while A Thousand Acres continues to get plowed under and G.I. Jane disappears off the AWAC screens.
Finally, my current pet peeve, L.A. Confidential, and its limited release distribution plan continues to allow the film to dip before it expands out next week, dropping well under $6,000 per screen from $7,100. Here’s a movie with the potential to be a bigger Usual Suspects, but at this rate, it will need Oscar nominations aplenty to match last year’s sleeper’s $46 million domestic gross.
Tomorrow, The Hot Button tackles the news, including some eyewitness Tori Spelling gossip. I’m such a media whore!
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Weekend Preview, In & Out Will Likely Stay on Top

Friday, September 26th, 1997

In & Out will likely stay in the top spot with about $11.5 million. L.A. Confidential’s bizarre choice to stay on just about 800 screens will cost it again, leaving number two to Batman & Redhead in The Peacemaker, the first film from DreamWorks. As if anyone cared. The Game and The Edge will fight it out for the number three and number four spots — gotta give it to Hanibal Lechter vs. The Baldwin & The Bear over Mikey, whose third week of release is like the third hour of Monopoly. Tired. Look for LAC to drop to number five with about $4.5 million. Spots 6-8 are going to be a battle between the African-American family dramedy, Soul Food, the Midwestern American family drama, A Thousand Acres, and the Depantsed English Unemployed comedy, The Full Monty. If you were wishing that Wishmaster would drop from third to ninth, you may be in luck… or Wishmaster could conjure up the sixth spot, beating out the high quality/low audience-interest trio above.
Also hitting theaters is The Assignment, with Aidan Quinn playing an undercover agent pretending to be the most evil assassin in the world and Ben Kingsley and Donald Sutherland as his handlers. And stinking of low budget edginess is Kicked In The Head, the indie-star-cameo laden (Linda Fiorentino, Michael Rapaport, Lili Taylor and James Woods) comedy from Sundance’s 1995 Best Director winner, Matthew Harrison, and starring last year’s Indie Spirit Award winner for Best Supporting Actor in Walking and Talking, Kevin Corrigan. See you on video, boys!
E-Mail Dave with the issues that get your button hot!