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David Poland

By David Poland poland@moviecitynews.com

Estimating Sky Captain

The numbers are running from $15 million to $35 million… in other words, no one really knows.

Paramount’s Gerry Rich and his team have done a great job getting the focus on the action and grabbing remarkable reviews from the likes of 4-Star Roger Ebert.

The movie I’d be worried about if I was Paramount and looking for a #1 slot would be Mr. 3000, which could cross over and become this weekend’s Bringing Down The House surprise. If only they had hired Eugene Levy!!!

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4 Responses to “Estimating Sky Captain”

  1. BrotherhoodOfSteel says:

    Paramount did a great job of selling Sky Captain as being an original concept. Yeah. Like Lucas hasnt been using CGI sets since 97, but far be it from me to deny the UNIQUENESS of Sky Captain. How that bit of business got put over the advertising continues to baffle me.
    They should worry about Mr. 3000, because the kids do love Bernie Mac much more than Jude Law. If the kids loved Jude Law. I would be worried. It just wouldnt seem right. At least there are movies to see this weekend. Anytime you can have a box office debate in SEPTEMBER, then you just have to realize how utterly crap, the Summer movie season turned out to be.
    When they ruin the Bourne franchise, then you know you just witnessed a horrible Summer movie season.

  2. SRCputt says:

    Have you seen the film yet? Unique is a good word to use. I’ve never seen any film like Sky Captain.

  3. thedoom says:

    Decent movie. It tries to be star wars, indiana jones, and a film noir all at the same time, falls short of those expectations but is still fun to watch.

  4. BrotherhoodofSteel says:

    Yeah I have seen the film, and Sky Captain has a director who should be compared to P Diddy. I say this, because Couran just pretty much ripped off the Beard and Lucas, and put his own spin on it. Inspiration, sure, but not like P Diddy wasnt inspired by certain things, twisted, flipped, and put them out as his own.
    I would not be surprised to see a movie by Kouran in the future titled, “I CREATED THE STAR WARS!” If you dont get that reference, then I really cant help you. It’s some one percenter.
    Nevertheless if you TYPE, ie SAY, you havent seen a movie like Sky Captain, then you are just not paying attention to films that feature Obi and Frodo. He RIPS OFF the Rivendale shot for fuck’s sake! Just rips it right off! A decent movie, but it could have used some epic scope like Resident Evil Apocolypse.
    Yet both movies could have used BETTER THEMES! Sky Captain has absolutely the most generic score for a film like that, that someone REMIXING the beard and George should know better than to use. RE: APOC needed to give Nemesis a bloody THEME damn it!
    Again, this movie watches as NOTHING NEW! Just one man remixing the films of other men and their inspirations to put something good on the screen.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
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“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon