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David Poland

By David Poland poland@moviecitynews.com

One Movie Trying To Fight Its Way To A Cannes Sale

What first caught my eye was a press release by Soleil Film headed, “Soleil Film Increases Equity Interest in Feature Film “All That I Need” by 100%”
I read the press release, wondering whether a company had indeed doubled its investment in a film I had never heard of and why they were announcing it publicly. In the release it calls, All That I Need, a reality documentary movie in the spirit of Super Size Me.” It also states, “We are extremely pleased about the opportunity to acquire an increased equity share in the feature,’ commented CEO, Kenneth Eade, ‘and are even more pleased that the screening room at Cannes has been filled to capacity with major distributors who have confirmed their attendance for our May 13th screening.”
This is a May 12 press release.
On May 2, it turns out, there was a release (picked up by Yahoo! FInance) stating that there was a 75% increase in Soleil’s equity position on this same film, not May 12th 100%.
And have I mentioned, the film is not a documentary like Super Size Me? It is a fake documentary starring the director.
A little more investigation turns up another press release (May 10) in which Paramount Classics’ Susan Wrubel passing on the film. Yet Soleil takes the doubly surprising step of positioning that as a win and of quoting a distribution exec’s position on a film publicly. Wrubel is quoted as caling the film “‘incredible material,’ comparable to Lord of The Flies.” The release continues… “Although Paramount chose not to purchase distribution rights for the film, Susan Wrubel, Vice President of Acquisitions and Co Productions for Paramount commented, ‘You have something interesting here, with some incredible material. I’m sure you will be able to sell this film at Cannes, just on concept alone.’

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7 Responses to “One Movie Trying To Fight Its Way To A Cannes Sale”

  1. bicycle bob says:

    cannes is just a show and more publicity than good film festival

  2. Terence D says:

    Cannes is a beautiful city. They get a little too into their film festival though. But it is fun.

  3. Mark says:

    It is more of a show and a celebrity sighting event than a film place. Which isn’t too bad.

  4. KamikazeCamel says:

    Speaking of Cannes… did anybody know that DAVID LYNCH HAS A NEW FILM PREMIERING THERE?!?!
    The IMDb (the place with all the facts, obviously) is saying that it stars Laura Dern, Harry Dean Stanton and Jeremy Irons and that it’s a mystery about a girl and that’s all Lynch will say. And he’s being SO secretive about it that he won’t even allow the film’s poster to be revealed until the film has been shown.
    I found this odd, especially coming from the IMDb, because there is not a single word about this project anywhere on the site apart from that one news column. Not on Lynch’s page or Dern’s page or… you get the drift.
    Did anybody know about this? Cause I sure as hell didn’t. Does this mean we have another auteur for this year! Von Trier, Van Sant, Kar-Wai, Egoyan, Cronenburg, Jarmusch and many others.
    Awesome!
    “http://www.imdb.com/poll/results” – have a squiz at that link.

  5. hoodia says:

    Erase this message and never see it again. hoodia

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon