

By Ray Pride Pride@moviecitynews.com
Ingmar Bergman, with this woman who keeps cows and horses
On the occasion of Saraband, the Guardian’s Geoffrey Macnab surveys the generation after Ingmar Bergman to suss his lasting impact. Michael Winterbottom: “When I was 24 or 25, around the time of his 70th birthday, I made two documentaries about him… I watched all his films – which then numbered almost 50. I had written him a letter asking if we could make a documentary based on his book. When I met him, he said one of the reasons he had agreed to see me was that in Christmas in Sweden, there is a tradition of farcical comedy and one of the characters in it is called Mr Winterbottom. I was told you had to be extremely punctual – that that was an issue. So I was…” [He’s impressed by Bergman’s simplicity, too.] Liv Ullmann on the man on the island: “When shooting on Saraband was over, Bergman said goodbye and went to his island. That was two years ago. He lives there absolutely completely alone… We made Scenes From a Marriage 30 years ago in a stable he had made into a studio. Now, he has made that into a cinema. He gets all the films sent there. He sits there with this woman who keeps cows and horses showing her films. Every new film. He knows everything that is being made.” Thomas Vinterberg : “Some of those close-ups of those beautiful Swedish actresses have just stayed with me. He created female characters you fell in love with instantly and exposed their burning inner life in a way I have not seen before or since… After I made Festen, I called him. He was very, very lively, speaking from his island. I was expecting to hear from a more bitter man. He said he would do no more work and now he would find the time to sit in a corner in his house and read some of those marvellous books he never got to read. He told me Festen was a masterpiece, which I was very happy about, but he talked about how silly and stupid Dogme was… I tried to explain why Dogme wasn’t silly, but I very quickly gave in. He wasn’t going to change his opinion, no matter what I said. I’ve only talked to him on one occasion. It was so uplifting. If I can feel like he does at that age, life isn’t that bad.” Alexander Payne : “I am woefully underexposed to Bergman.” James Schamus: “Look at Scenes From a Marriage and then look at Love Streams.” Also: Sally Potter, Terrence Davies, Stephen Wooley, and Olivier Assayas, who makes a modest case for Saraband as ” some otherworldly masterpiece.”