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Ray Pride

By Ray Pride Pride@moviecitynews.com

Is the 4 Star Theatre (the last US Chinese theater) doomed?

At Asia Pacific Arts, Brian Hu offers a personal reminscence of the 4 Star Theatre in San Francisco, the nation’s last Chinese movie theater, as its legal woes are mounting. “When I moved to the… Bay Area five years ago, the 4 Star Theatre in the Richmond District became one of the real pleasures for a young film lover… As the only remaining theater in the United States playing new Hong Kong films, the 4 Star represented a universe of filmgoing that existed in Asian-American communities before I was old enough to know who Wong Fei-hong or Asia the Invincible were.
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“Attending 4 Star screenings of new and classic Hong Kong cinema showed me that while my many friends and family preferred their Asian cinema on bootlegged VHS and VCD, there was still a stronghold of fans—Asian and non-Asian alike—who made it a principle to see Hong Kong films on the big screen with a group of fellow cinemagoers… The 4 Star is facing eviction from the Canaan Lutheran Church, which purchased the property in 2001 and has waited for the 4 Star’s lease to run out so they can move in. Frank and Lida Lee, owners of the 4 Star, are suing the church, claiming that such an eviction violates a city ordinance which prohibits theaters from getting shut down because cinemas bring business into the surrounding area. Neighborhood businesses have petitioned, expressing their support for the 4 Star… I respect the Canaan Lutheran Church and I wish them luck in finding another piece of property in San Francisco. But to convert the 4 Star into a place of worship is counterproductive: the community has been worshipping the movie gods there for a century now, and it has no intention of stopping.” [History and lots of cinephilic feeling at the link.]

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

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~ David Simon