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Ray Pride

By Ray Pride Pride@moviecitynews.com

Getting in line for the sketchy taco: Josh Friedman blogs again

tttaco.jpg In 2005, Josh Friedman, screenwriter of War of the Worlds and Brian DePalma‘s forthcoming Black Dahlia began a funny, profane blog called “I find your lack of faith disturbing.” Some of it is about screenwriting, most of it is deliriously rancorous rants, and he’s thrilled about the prospects of Snakes on a Plane. Then he was gone for a while. Now he’s talking about cancer. “This is not fun for me, nor do I think it’ll be fun for you, either. You won’t learn much, because I’m a fucking ignoramus. I never did like research and I certainly didn’t start for this shit. Some people want to know all they can about their disease, but I figured it would only keep me on the phone longer explaining it to my friends. Besides, [my doctor] Fish told me to stay off the internet. So I did.” But still, there are reasons we love John Friedman, who has been sick but not sad. “Without being too dramatic about it, there is a very good chance my bout with food poisoning saved my life. Which goes to show, if you see a taco stand and it looks even the least bit sketchy, get in line… As an infinite monkey I have little choice but to bow down to the powers of natural selection and mutation, even when it’s happening inside my own body. There are those who suggest a greater power must be looking out for me. But the greatest power I know was doing last minute post-production on Munich so I didn’t bother calling on him, either… I did not fight cancer and I certainly did not beat cancer. One night cancer came and grabbed me hard by the arm, yanked me down the stairs and stood over me on the landing while I begged for mercy and waited for the rain of blows to come. Some did, enough for me to know I couldn’t have withstood the whole barrage. And then without explanation it disappeared. And let me live. Like some monsters do. Thank you everybody.”

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon