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Ray Pride

By Ray Pride Pride@moviecitynews.com

The End of Boredom: Mark Cuban Bubbles

Maverickpreneur Mark Cuban daydreams about “the end of boredom” and Blackberries all about it: “Portable media devices… iPods… phones with all their features… have solved what has been a generations-old nuisance for all of us, boredom. We have our little devices and now we are never bored. We don’t find ourselves staring off into space unoccupied, wondering what to do.
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“We don’t find ourselves muttering about how bored we are sitting on the train, or on a plane, trying to do anything to make the time go by more quickly. Our little mobile devices are so popular because they are the ultimate, continuous distraction. They are the easiest cure for boredom…. When we leave the house now, it’s keys, wallet, phone/pda/iPod, lock the door.� The minute we have nothing better to do, or our mind starts to wander, regardless of where we are, meetings, events, elevator, exercise bike, walking down the street, out it comes…. We are going to become increasingly dependent on these devices not because we think they are amazing or wonderful, but because they are there. They do their job. They distract us…Portable video will be successful not because it will siphon off viewing from traditional tv. Portable video sells and will sell in increasing numbers because its a better cure for boredom… Daydreaming and zoning out aren’t dead and gone, but they now have a soundtrack and� a video.”
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IN OTHER 2929/HDNET/CUBAN/WAGNER/MAGNOLIA/LANDMARKING, The Parkersburg, WV News and Sentinel’s Evan Bevins comprehensively anticipates the first pop of Steven Soderbergh‘s locally-produced Bubble and its Thursday night premiere at the historic Smoot Theatre. “We can only accommodate a certain number of people to the premiere,” said Felice Jorgeson, executive director of the Smoot. “This will be good for the other people.” Regal Cinemas, the company that owns the movie theaters in Vienna and Marietta, will not show the film because it is being released concurrently in theaters, on DVD and on cable [network] HDNet… “It was fantastic,” said Debbie Doebereiner, a 47-year-old Watertown resident who makes her acting debut in Bubble in the role of Martha. “Steven is brilliant and he’s very, very understanding… He made our job really easy, because there was no tension or pressure whatsoever when we were making the film. He would give us points to start with, points to hit on and where to end, and how we got there” was up to the actors… Doebereiner, who had worked at the KFC in Parkersburg’s Traffic Circle for 24 years, was approached by the film’s casting director at the restaurant’s drive-thru window. “It was the most wonderful five weeks of my life…They cater to you; you feel like a princess. I pinched myself every day, because I just couldn’t believe I was doing this.” … To add another layer of realism to the movie, the actors were trained in the jobs their characters would have at the Lee Middleton Original Dolls Factory in Belpre… A limited edition doll, April Memories, was produced during the filming. There were only 250 made and Doebereiner purchased one of them.” [More WV lore at the link; the Bubble trailer is here.]

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon