By Ray Pride Pride@moviecitynews.com
Wolcott on Oscar-baiting: milking the elk and the heartland doesn't exist
Over at James Wolcott‘s pied-a-terre, he’s effortlessly debunking some posh about why “Hollywood” doesn’t reflect “America.”The ‘Hollywood doesn’t reflect mainstream America’ argument is one of the oldest and phoniest in the playbook, with Michael Medved making the same case that Catholic organizers did in the 30’s to push for a decency code. The truth is that Hollywood has almost never reflected heartland values, from its birth it’s reflected urban energy, cosmopolitan taste, social conscience, and pagan fascination, and when it’s conformed to conventional pieties, as during the dreariest stretches of the postwar period, when disillusionment and subversion had to sneak in through the shadows of film noir… Think of the movies now considered classic… from the great grunge stretch of the late Sixties and Seventies, movies such as Mean Streets, Taxi Driver, Dog Day Afternoon, Serpico, The Last Detail, Five Easy Pieces, Blazing Saddles, McCabe and Mrs. Miller, Nashville, The Wild Bunch, Straw Dogs, A Clockwork Orange, on and on—do these movies speak to the pieties and platitudes that William Bennett holds dear? … The heartland issue is such a crock, especially when it’s taken up by pseudo-populist pundits who cling to both coasts and wouldn’t move to the middle of the country unless the name of that middle was Chicago.
Fuck the heartland. It doesn’t exist… There’s no such thing as an average American anymore … unless by “average American” you mean (as news producers and pundits seem to do) white, middle-aged, heterosexual Christian small-towners and suburbanites who won’t even be watching the Academy Awards because it’ll be past their bedtime and they have elk to milk the next morning.”