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Ray Pride

By Ray Pride Pride@moviecitynews.com

Prairie wind: Neil Young's mise-en-scene

Via Scott Macauley at Filmmaker, singer Alicia Morgan‘s blog describes a dramatic scrap of mise-en-scene while recording Neil Young‘s post-Neil Young: Heart of Gold 9-day insta-album. “Have you, like me, been recalling the great protest songs of the sixties, and wondered where the new protest songs are? Yesterday, I found out… On Wednesday, I was at work when I got a call for a Neil Young session the next day…. I was excited about it—Neil Young is one of my musical heroes.” Arriving at the studio, “we found 98 other singers, a collection of L.A.’s finest. All I knew was that we were singing on a new Neil Young record, but when the lyrics we were supposed to sing flashed on the giant screen, a roar went up from the choir. Sun-Green_8457.jpgI’m not going to give the whole thing away, but the first line of one of the songs was “Let’s impeach the President for lyin’!” … The session was like being at a 12-hour peace rally. Every time new lyrics would come up on the screen, there were cheers, tears and applause. It was a spiritual experience. I can’t believe my good fortune at being a part of this… I’ve never been at a recording session that was more like being at church. Heck, I’ve never been to a church that was more like a church than that session… We finished the session by singing an a capella version of “America the Beautiful” and there was not a dry eye in the house.” Morgan says Young told her the record should be out mid-to-late June; predictably, a spell of rants ensued in Morgan’s open comments, such, as “if this is true and neil young is actually going to help get some more of our soldiers killed by emboldening the suicidal maniacs of persia, then i am going to dump him. i have been enjoying young’s work since 1970 but i will ****can everything i own from him if he’s truely going to further risk the lives our guys for the sake of his moody brand of capitolism.” The album is called Life in War and Howie Klein has heard it and gets… excited.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon