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Ray Pride

By Ray Pride Pride@moviecitynews.com

Welsh like a pepper mill: mapping its movie locations

Reports News Wales, the Welsh government thinks that
the Harry Potter-Sideways movie gimmick makes a killer map after the Potter movies brought visitors to Northumbria: “The magic of the movies is set to create a… bonanza for North Wales. Tourism bosses have created a map showing the locations of films and television programmes shot in North Wales.” They hope for another 30,000 visitors and £1 million in income each year, with Tourism Partnership North Wales picking out 30 locations. It’s being included in Empire magazine, as well as here. half-light-death-2342.jpgWhat delights lie on the Welsh footpath? Events Executive Carole Startin says “North Wales has played host to a wonderfully eclectic mix of films and the Hollywood stardust has been sprinkled generously throughout the region… We’ve had a bit of everything, from Hollywood classics to masterpieces of slapstick like Carry on up the Khyber and Holiday on the Buses. At least two Bollywood spectaculars have been shot in the region and the enduring cult favourite, “The Prisoner,” is still attracting fans to Portmeirion…” Is that all? “The locations include Talacre beach where scenes for Backbeat, a film about the Beatles, were shot and Anglesey where Demi Moore shot Halflight [pictured] which is due to be released this year.” Plus: the second Tomb Raider picture!“ The potential is huge. We already know that… Last of the Summer Wine has been great for tourism in Holmfirth where it is filmed. “Dr Who” is now doing big things for Cardiff.”

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon