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David Poland

By David Poland poland@moviecitynews.com

Ozon In L.A.

ozonandme.jpg
Fran

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7 Responses to “Ozon In L.A.”

  1. oldman says:

    Sorry to go off topic; but an interesting doc “Billy Wilder Speaks” repeats at 8 30 pst on turner classic movies tonight.

  2. jeffmcm says:

    It always strikes me as weird when DP writes pieces in this style. It’s so much less personal.

  3. jeffmcm says:

    Although I do like the photographer’s reflection in the window.

  4. James Leer says:

    I adore Ozon, so DP can write this piece in whatever style he wants. I think that, given enough time, Ozon could become as big as Almodovar. Sometime his films can misfire, but he is incapable of making a dumb one.

  5. KamikazeCamelV2.0 says:

    Yeah, if anything, Ozon is always interesting. Under the Sand is still his best I think, but 8 Women and Water Drops on Burning Rocks are good too. I wanted to see 5×2 but didn’t.
    Also, all you straight men out there owe a big debt to Ozon. He is single-handedly responsibly for giving us Ludivine Sagnier’s career. Even I think she’s smokin’. And that’s worth celebrating, right?

  6. PastePotPete says:

    This thread is too clean and calm. So here’s the one question I had that this post of Dave’s didn’t answer:
    Does Romola Garai get naked?

  7. Ju-osh says:

    Off-topic, but I wanted to give all due props to
    Strand Releasing. I run an indie cd & dvd shop on Cape Cod, MA, and they are bar none the BEST dvd company out there when it comes to promoting their new releases to retailers of ALL sizes. Not only do they send out screeners of everything, they send out emails, press releases and, if asked, movie posters to help raise awareness and understanding of their often controversial and unfairly unheralded (press-wise) flicks.
    In short, Strand are dedicated film lovers out to promote their films — not themselves. They’re who all you indie filmmakers ought to be sending your films to!

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon