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Ray Pride

By Ray Pride Pride@moviecitynews.com

Stupid fox: another Idiocracy take

“Knowing Judge’s sterling track record as an American satirist,I had to find out what went wrong,” writes John Patterson in the Guardian of Idiocracy. _11372825640.jpg“Usually a film eliciting such utter contempt from its own backers is a disaster. Far less often, it’s a masterpiece… There is venomous anti-corporate satire throughout… remarkable mainly because Judge names real corporations. I was astounded – and invigorated – by the sheer vitriol Judge directs at these companies… Like fast-food giant Carl’s Jr, which in 2006 sells 6,000-calorie burgers the size of dictionaries under the slogan, “Don’t Bother Me, I’m Eating”. In Idiocracy, this has devolved into “Fuck You! I’m Eating!”… [E]very commercial transaction has been sexualised: at Starbucks you can get coffee plus a handjob (or a “full body” latte). Idiocracy isn’t a masterpiece – Fox seems to have stiffed Judge on money at every stage – but it’s endlessly funny, and my friends and I will be repeating certain lines for months… [W]ord got out fast: I saw it last Saturday in a half-empty house. Two days later, same place, same show – packed-out. There’s an audience for this movie, but its natural demographic barely knows it’s out there. Behind the movie’s satire lie long-term social changes like the stupidisation of the American electorate over 30 years through deliberate underfunding of public education, the corporate takeover of every area of public and private life, and the tendency of the media – particularly Fox News – to substitute anti-intellectual rage and partisan division for reasoned public debate… So why was Idiocracy dumped? Perhaps because it taps a growing anti-corporate mood in the nation; perhaps because it expertly satirises the jingoistic self-absorption that now passes for public culture. Or perhaps because more people are sick of the modern America that Fox energetically helped to build than the Fox corporation itself is ready to admit.” [Patterson is a great fan of Office Space.]

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon