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Ray Pride

By Ray Pride Pride@moviecitynews.com

Don't You Forget About Me: burning 16 candles for John Hughes

Macleans’ Shanda Deziel reports on a doc stalking reluctant subject John Hughes and trying to divine why the 56-year-old King of Teen hasn’t shot a pic since 1991’s Curly Sue. john-hughes_23.jpg “According to a new documentary, Don’t You Forget About Me—which examines the lasting impact of Hughes’s movies—today’s teens also cite those films as the ones that best represent the way they look, feel and act. According to the filmmaker, [28-year-old] Matt Austin, “All the teens we interviewed said that they can’t relate to any of the movies that have come out for them in the last decade.” So Austin had the teens send a message to Hollywood and to Hughes. “To Hollywood…. they gave the finger and to Hughes they said, ‘Come back.’ ” Hughes “hasn’t given an interview since the ’80s (even then, they were few and far between)and is thought to be living in Chicago or maybe Wisconsin. He’s the J.D. Salinger of [movies]. But it’s become Austin’s mission to get the recluse on camera… After many dead ends, the filmmakers finally made a connection with Hughes’s lawyer. “He’s on our side…. but even he says, ‘Good luck, John Hughes just doesn’t do interviews.’ ” So Austin is putting together a… reel of people he’s talked to— teens, actors, filmmakers inspired by him—all saying, “Thank you” or “Come back.” Austin plans on giving that video to every single person who might be able to get it to Hughes. “Right now, I’m very hopeful that we’re going to get him. My genuine feeling is we’ll get a call.”

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon