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Ray Pride

By Ray Pride Pride@moviecitynews.com

Go Bruins: cops Taser student, new media converge [UPDATED]

There’ve been too many stories lately about making mini-movies with cell phones, such as this AP dispatch about “mobilettes,” a homely bastard of a word created to describe the results of a class taught at Boston University “through a unique partnership with cellular company Amp’d Mobile [backed by Qualcomm and Viacom and ” branding itself as a youth-oriented company”] and taught by director Jan Egleson. During the semester, the students will produce a series of short episodes that eventually will be distributed by the company for its cellular customers. The students have challenged each other to shoot it using only the phones, despite obstacles surrounding sound and video quality.” But, as with any emerging medium, unintended uses are more intriguing, such as in this sloppy yet horrific amateur recording of UCLA campus policemen Tasering a student. No news of when UCLA will release images from their substantial surveillance system. The Daily Bruin’s Sara Taylor reports that “Mostafa Tabatabainejad, a UCLA student, was repeatedly stunned with a Taser and then taken into custody when he did not exit the CLICC Lab in Powell Library in a timely manner. Community Service Officers had asked Tabatabainejad to leave after he failed to produce his BruinCard during a random check at around 11:30 p.m. Tuesday… Tabatabainejad did not immediately leave, and UCPD officers resorted to use of the Taser when Tabatabainejad did not do as he was told. A six-minute video showed Tabatabainejad audibly screaming in pain as he was stunned several times with a Taser, each time for three to five seconds. He was told repeatedly to stand up and stop fighting, and was told that if he did not do so he would “get Tased again.” UPDATE: Mr. Tabatabainejad is filing suit, reports the LA Times. “The lawyer said Tabatabainejad eventually decided to leave the library but when an officer refused the student’s request to take his hand off him, the student fell limp to the floor, again to avoid participating in what he considered a case of racial profiling. After police started firing the Taser, Tabatabainejad tried to “get the beating, the use of brutal force, to stop by shouting and causing people to watch. Generally, police don’t want to do their dirties in front of a lot of witnesses.” [Bonus irony at the jump.]



“The incident follows the recent announcement that four of the campus police department’s nearly 60 full-time sworn officers had won so-called Taser Awards granted by the manufacturer of the device to “law enforcement officers who save a life in the line of duty through extraordinary use of the Taser.” The award stemmed from an incident in which officers subdued a patient who allegedly threatened staff at the campus’ Neuropsychiatric Hospital with metal scissors.”

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon