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David Poland

By David Poland poland@moviecitynews.com

The Wackiest Promotional Giveaway Of The Year?

Do you want to go to Baltimore to see a penguin???? It’s not even crab season!
===========================
MOVIN 93.9 FM INVITES YOU TO STRUT YOUR STUFF FOR A CHANCE TO WIN A TRIP TO
THE BALTIMORE ZOO
THURSDAY, NOVEMBURRR 16
happyfeet.jpg
Please join MOVIN 93.9 FM at THE ARCLIGHT HOLLYWOOD for a special HAPPY FEET dance contest for the chance to win a Grand Prize for four to Baltimore to go to The Maryland Zoo and have a private meeting with baby penguins, Mumble & Gloria.
Additional prizes to include 20 free dance lessons at The Edge Performing Arts Center.
WHEN: Thursday, November 16, 2006
Crew Arrivals: 5:00PM
Contest: 5:30 PM

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8 Responses to “The Wackiest Promotional Giveaway Of The Year?”

  1. Blackcloud says:

    I can see a trip to the National Aquarium, but the zoo?

  2. T.H. says:

    I thought being Baltimore, it might be a black thing, but when I went to the website, it’s the home of Rick Dees. I love Balto, but I can’t tap dance worth shit.

  3. James Leer says:

    DP loves Happy Feet promotional schemes.

  4. Wrecktum says:

    Yes, Poland’s been pro happy Feet for a very long time. Now he thinks it’s a shoe in for the best animated picture Oscar. *suck* *suck*

  5. EDouglas says:

    I think it will win Best Animated Oscar too

  6. T.H. says:

    I was feeling badly about being racist, so I googled baltimore zoo penguins and found it gets stranger and stranger — these penguins were born and named for the characters in the movie and there’s a webcam in their cage and a radio station in LA is holding a dance contest to win a private meeting with the critters. Pretty brilliant long in the planning, long range publicity.
    http://www2.warnerbros.com/happyfeet/penguincam.html

  7. jeffmcm says:

    That makes it sound more ugly and exploitative.

  8. T.H. says:

    it’s not a webcam in their cage and it’s not bright and colorful like the trailer, but I think it’s cool, depends on what’s done with it, it doesn’t help that movin939 has removed all mention of the contest from their website, that’s strange to me. Maybe I oughta be in charge of things. Except I showed up to the wrong screening room last night.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
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“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon