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David Poland

By David Poland poland@moviecitynews.com

United 93 Keeps Fighting For Its Awards Life

This just came across the e-mail transom…

Screen Actors Guild

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8 Responses to “United 93 Keeps Fighting For Its Awards Life”

  1. Jimmy the Gent says:

    I’ve always felt that Ben Sliney deserves an Award campaign. Like Ermey in Full Metal Jacket, his instant on-screen ease with re-living the most horrible day of his life was no easy task. Think about it. He had to relive a day without ever once tipping his hand to the audience that he knew what was coming. And the man had zero training. He’s a natural.
    Then again, R. Lee Ermy wasn’t nominated for FMJ.

  2. palmtree says:

    “(Thanks to Bob for his ho expertise.)”
    Why? ‘Cause he gives good transom?

  3. jeffmcm says:

    I love U93, but I disagree about Sliney. What he did was remarkable, but come on…it’s not really an artistic achievement, on the same level as, say, Gosling in Half Nelson, or DiCaprio in The Departed or even Sacha Baron Cohen in Borat. I thought Khalid Abdalla was the truly great performance in U93.

  4. Wrecktum says:

    What about Sledge Hammer.
    Please Hammer, don’t hurt them!

  5. Well Sliney would be a Supporting Actor contender. In my book, he is already. Granted, I haven’t seen all that many American 2006 films cause they’re not out here yet, but if I had a top 5 right now it’d be the two Sunshine men Arkin and Carell, Stanley Tucci, Richard Birrinbirrin (from aussie foreign language Oscar contender Ten Canoes) and Sliney. And as of right now, the United 93 ensemble is my pick for Best Ensemble right now (of course, these are in my own personal awards that I like to imagine)

  6. Chucky in Jersey says:

    The only way “United 93” gets awards is if AMPAS and the Golden Globes are run like Diebold. Same goes for “World Trade Center”.
    I guess nobody who posts here has heard the outcome of the US general election.

  7. jeffmcm says:

    I would ask Chucky what he was responding to, but I know he won’t be back until next Sunday with another hit-and-run posting about how much he hates Republicans. Sigh.

  8. Blackcloud says:

    They only let him leave the moon once a week.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon