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Ray Pride

By Ray Pride Pride@moviecitynews.com

UPDATED: The unbelievable truth: Adrienne Shelly murdered

“Prosecutors have charged a man with murdering actress Adrienne Shelly, who was found hanging from a shower rod in her West Village office last Wednesday,” AS_3245.jpg reports NYC’s WCBS-TV. “Police have charged 19-year-old Diego Pillco, of the 300-block of Prospect Avenue in Brooklyn, with second degree murder. Pillco allegedly punched the 5-foot-2 actress after she complained about the noise he was making in the West Village apartment building where her office is located, killing her. He then allegedly admitted to dragging the body up to her office, and positioning her in the shower to make her death look like a suicide. EARLIER: Aw, just fuck. The New York Post reports on writer-director-actress-Hal Hartley muse-90s indie icon Adrienne Shelly’s apparent suicide at 40. Shelly radiated a twerpy intelligence onscreen in her too-few roles; she embodied my long-held belief that smart, petite women are a special kind of goddess. The Post reports with unsavory tabloid gusto: “The body of a beautiful, talented actress was found hanging from a shower rod in the bathtub of a Greenwich Village apartment by her horrified husband, who cried out, “Why? Why?” cops and witnesses said. Adrienne Shelly, 40, who was also a director and screenwriter, apparently killed herself, cops said…”


She was briefly in Factotum and recently finished Waitress, her second directorial effort. “The petite blonde, who was born Adrienne Levine, was best known for her deadpan comic delivery and early lead roles in two Hal Hartley-directed films set on her native Long Island—The Unbelievable Truth and Trust… A family source said Shelly “wasn’t on any medication. She doesn’t drink and she was a pretty happy person. Everyone is having trouble accepting this as a suicide.” … Factotum producer Jim Stark said that when he told mutual friends that Shelly was dead, “they couldn’t believe it. They thought it was a joke.” “It’s a great loss to all of us who are fans of independent film,” Stark said. “She was extremely intelligent. A beautiful young woman.” Shelley is survived by her husband and a 3-year-old daughter.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon