By David Poland poland@moviecitynews.com
Look To The Future On Berman
Many are enjoying the opportunity to dance on Gail Berman’s recently dug grave, citing the past as the reason for her exit. But the biggest problem with her tenure has not been her personality or her color coded production execs, but her basic lack of productivity… she wasn’t making movies.
It’s simple math. Paramount, Berman’s Paramount, has 5 movies on the schedule for 2007, including one 2006 holdover that continues to float on the schedule. DreamWorks has 7 films on the 2007 schedule.
Even Paramount Vantage has as many films – before any upcoming acquisitions – as Big Par.
And the current slate of films sure to be produced for 2008? Iron Man, controlled by Avi Arad. Indiana Jones, controlled by Steven Spielberg. An Italian Job sequel, a franchise on which she didn’t initiate the first film. The Spiderwick Chronicles is really the only “Gail Berman” movie.
Studios are and always have been like sharks… they need to keep moving because good and bad will always happen, but the promise of what is coming is what keeps studio heads alive.
Amy Pascal had a nightmare 2005. She switched marketing heads, got great openings from some horrible films, did great with her blockbuster titles, and all of a sudden she is the most secure (along with Rothman/Gianopulos) studio head in town with the studio’s best year ever and Spider-Man 3 on the way.
Ya gotta make frickin’ movies. You can be the devil walking and get away with it if you do. You can even make some super screw ups the turn the whole boat upside down and survive. Just keep thinkin’ about tomorrow…
Gail Berman died because regardless of all her other issues, she made ultimate mistake… she gave her bosses nothing to look forward to.
(And now, watch Stardust and Spiderwick be massive smash hits.)
Purely for my edification, what does this mean: ‘her color coded production execs’ ? Did she have a different color dude for ever genre?
Comment: Purely for my edification, what does this mean: ‘her color coded production execs’ ? Did she have a different color dude for ever genre? >>>
See the second half of today’s L.A. Times Scriptland column:
http://tinyurl.com/y9oysl
Thank you.
I always found it obnoxious that she took credit for the box office success of JACKASS 2 and NACHO LIBRE — two projects begun before she was even hired. Particularly in light of the fact that she actively tried to kill NACHO LIBRE.
When a Times article came out with her taking credit, it was apparently an object of great amusement on the NACHO LIBRE set.
The fact she’s not getting a production deal upon exit (which seems to be writ-in-stone standard) is illuminating.
I hope Stardust is a success for no other reason than to give Michelle Pfeiffer the feeling that she should keep making movies and she should keep trying to win that Oscar. Just like I hope Hairspray and I Could Never Be Your Woman are successful for the very same reason. The Pfeiff needs to be in more than one movie every five years, thank you.
Peter O’Toole is on Letterman right now and he’s… interesting. He seems to be having fun at least…?
I don’t know for sure that the Indy 4 juggernaut is definitely happening at Paramount, is it? It’s Lucasfilm’s gig and they can use whoever they want for distribution. Remember, this is the same deal Lucas had with the Star Wars prequels. He was under no obligation to use Fox to distribute the movies and it’s the same thing here. Indy 4, cracks about Ford’s age notwithstanding, will be the most eagerly awaited movie event since LOTR, maybe even The Phantom Menace, and i think ultimately it will end up being a Dreamworks / Paramount split for distribution.
I agree that makes sense. Paramount domestic and Dreamworks int’l.
Didn’t Pfeiffer take time off to raise her kids?