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David Poland

By David Poland poland@moviecitynews.com

Sundance Day 3 – Saturday Quickies

Vagina Dentata!
What a Teeth-rattling phrase
Vagina Dentata!
Ain’t no movie craze
It means no story
Just wait for shlongs to be frayed
It’s our acting-free film-osophy
Vagina Dentata!
Coming on Sunday, They Fuck Horses, Don

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8 Responses to “Sundance Day 3 – Saturday Quickies”

  1. jeffmcm says:

    “I am deeply offended by Western films offering Western heroes as the saviors of other cultures, unless the story is very specific and very accurate.”
    And unless Rachel Weisz is in it.

  2. Tofu says:

    Eric Bana and his little hulking out “problem” will save South America from the cartels. Mark my words.

  3. Did the person who does all the links for the MCN homepage go on vacation too?

  4. David Poland says:

    Sorry, J-Mc, but The Constant Gardener is not about saving Africans. It is an element in her character. But it is a murder mystery and a love story, not a White Man Savior film.

  5. jeffmcm says:

    It was a mediocre murder mystery and an unconvincing love story set against the backdrop of Sub-Saharan African politics. To brush off the African element as ‘an element in her character’ is to do exactly the same thing you have often faulted others for doing.

  6. David Poland says:

    Insightful as ever, J-Mc.

  7. Wrecktum says:

    Not to disparage the fine work at MCN, but is there a site of blog out there that comprehesively lists all the movies premiering at Sundance with links to reviews of each film? I seem to remember something like this for past festivals.

  8. jeffmcm says:

    Deep down, you know I’m right. It’s a White Man’s Burden movie through and through – that’s it’s raison d’etre. Remember that this is the director of City of God – he might as well have had Fiennes at the end saying to himself, ‘If only I had cared more about Africa, none of this ever would have happened.’

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon