MCN Blogs
Ray Pride

By Ray Pride Pride@moviecitynews.com

Sunderance: "It's not really germane to this document"

pelikan-nib_744.jpgI’ve posted a review and want to get another one done in ten minutes. Deadlines are a fine pressure. The man beside me in the lounge outside festival headquarters press/filmmakers lodge, loudly conducts business on a cell phone, insisting he has to “helm” the “elements” for DVD extras, and says the project’s music he “got for a steal.” A man is throwing a baby in the air while its mother shakes a pair of large maracas loudly. The child squeals. Usually, there’s only a low hum of voices here. The man continues his checklist aloud. I have no idea who he is or who he thinks he is. He’s not wearing the small sandwich board of name and face that is the festival I.D. I catch his eye. He looks away, speaks louder. The baby and the man are equally unaware of their surroundings. It makes it almost impossible to type any words except the stream he’s letting: “There are a couple of non-integral clips that my attorney advised me and even wrote an opinion that passed E&O muster. If you guys want to take them out, we can talk about that. It’s Jane Pauley and some audio. We could always just re-track it.


People do that. As far as the headlines go, we could pay for them.” Several other people look toward his voice. “As for the Jane Pauley show, I would be really bummed if it had to go, but I think we could make a very good Fair Use argument. An argument could be made that it’s integral to the story, but between you and me, we could pull it out. Just so you guys don’t freak out, like, we didn’t clear ’60 Minutes’ or something.” The baby burbbbbbbles. “Of course, the television/airline materials are the same.” Time for coffee. Time for quiet. “It’s not really germane to this document,” he says, and I try to remember the review I was trying to write as I pour cream into the cup.

Be Sociable, Share!

Comments are closed.

Movie City Indie

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon