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David Poland

By David Poland poland@moviecitynews.com

Pull Quote For New Line

“Back in the 1950s, Broadway

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9 Responses to “Pull Quote For New Line”

  1. Noah says:

    New Line has done a good job so far of not selling the race issue. In fact, other than Queen Latifah, they haven’t been showing many African-American faces in their TV spots. That’s a shame, though, because I think they’re not selling the film to an audience that might embrace it. The African-American audience is consistently underrated and I think New Line could have done a better job of showing Elijah Kelley.

  2. jeffmcm says:

    This is my favorite quote:
    “Waters

  3. Jeremy Smith says:

    I don’t know if BACK TO THE FUTURE is *the* most brilliantly written American movie of the 1980s, but it’s certainly one of them.

  4. machiav says:

    Crispin Glover and the Oedipal aspect of the film are definitely BRILLIANT

  5. machiav says:

    Crispin Glover and the Oedipal aspect of the film are definitely BRILLIANT.

  6. Erin says:

    I’m waiting for the remake of Hair. Although in this current climate it would probably have to star Jessica Simpson and have a happy ending (wedding).

  7. Jimmy the Gent says:

    Most brilliantly written American movie of the 1980s?
    How about Stranger Than Paradise? Hannah and Her Sisters? House of Games? Sex, Lies and Videotape? Do the Right Thing? Tootsie? Blue Velvet? The King of Comedy? Lost in America? Used Cars? Ordinary People? The Right Stuff? My Dinner with Andre? Atlantic City? Say Anything…? Airplane1?

  8. Joe Leydon says:

    Great line from House of Games: “Where am I from? I’m from the United States of Kiss My Ass!” Written by David Mamet, of course. But spoken by Joe Mantegna.

  9. Josh Massey says:

    The funny thing: Hairspray‘s message doesn’t seem to be “the races are equal.” It is more like, “Blacks are better.”
    One of the songs starts off about equality, then veers off into saying how blacks are superior. “The blacker the berry, the sweeter the juice…” Didn’t fit.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon