MCN Blogs
Ray Pride

By Ray Pride Pride@moviecitynews.com

Wim Wenders dreams of Europe

As part of the “Soul for Europe” initiative, Wim Wenders offered this speech, 3,650 words of which are reprinted at New Statesman. [It’s also the twentieth anniversary of Wings of Desire; see the Japanese trailer at the jump.] “For most Europeans, Europe has become an abstract, alien entity,” 303538407_be6f5b7054.jpgWenders argues. “They are no longer sure whether they should identify with it or dissociate themselves from it, whether they feel represented or repressed. As such, the image of Europe is a contradictory one. The word “image” is useful; Europe’s image is something quite different from the picture we have of our continent. An image is also a make, a brand, the product of a long series of past images, of stories, of tradition, of propaganda, of personal experience and reputation. Our feelings about Europe’s soul relate mainly to this image. Europe needs to regain its tarnished self-esteem, in order that it can recover its soul… [W]e know that today Europe is really the opposite: a haven of human rights; a realm of freedom such as history has never seen before. There is no more social entity anywhere else in the world, no more peaceful community of peoples, no more democratic tradition. It is a source of great personal pain to me to see so many young people who have given up on Europe. When I was a boy, the idea of Europe was the thing. The friendship between Germany and France, and the even more utopian vision of a United Europe, set my imagination soaring more than anything else – and yet Europe was still far away on the horizon. I would often cycle from the Ruhr region to Amsterdam to look at the pictures of Vermeer, Rembrandt and Van Gogh. My heart pounded each time I presented my German identity card at the Dutch border. European history in the first half of the 20th century was responsible for one feeling not exactly welcome, as a young German. A few years later, while I was hitchhiking in Brittany, a farmer tried to kill himself and me by crashing his Peugeot into a tree. I was the first German he had met since the war. All that seems as far away in the past as the war itself, during which I was conceived, but which was over by the time I was born. Today, you no longer have to show identity papers when travelling across Europe, and we use the same currency. When I was a boy, that was an absolutely unbelievable prospect. Now, that dream has become a reality, and no one is moved by it any more. It seems Europe is most desirable to those that don’t have it. In recent years, as I looked towards Europe from many other countries, especially in Africa, it warmed my heart to see the positively mythical status Europe enjoys there as an earthly paradise. From afar, our con tinent appears marvellous and resplendent, but close up, it is just business as usual, dull and strangely cool – what Berliners call “coffee gone cold”. What became of the dream? How did the whole idea disappear down the drain?” [Much more, including comparisons to “the American dream,” at the link.]


[Photograph of Wim Wenders and Franz Lustig © 2006 Ray Pride; Thessaloniki International Film Festival, Thessaloniki, Greece, November 2006.]


Be Sociable, Share!

Comments are closed.

Movie City Indie

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon