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David Poland

By David Poland poland@moviecitynews.com

5

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5 Responses to “5”

  1. bobbob911 says:

    “But in a festival of many very good, but few great films and not too many clunkers”
    Thats my feeling too. I’ve seen a great many very good films but I’m still chasing that ‘Great’ film.
    ‘Juno’ wasnt it, although I enjoyed it greatly. Neither was ‘No Country for Old Men’ (also incredibly enjoyable)
    A small Israeli film called ‘The Bands Visit’ comes closest for me so far.
    I’m hearing a lot of great things about the film ‘Stuck’ and thats up next for me so we’ll see.

  2. Noah says:

    Reservation Road sounds and looks very similar to In The Bedroom, which I loved, so it’s surprising to hear that it hews closer to 21 Grams.

  3. Kambei says:

    oh god. worse than 21 Grams? Is that possible? On a lighter note, just came back from “run, fatboy, run” that i assumed would be a terrible trainwreck, but might actually be the best thing Simon Pegg has been in. Fun, silly, but with unexpected heart. not sure it is up to the level of 4 weddings & a funeral, but deserves a much better marketing campaign than the one it is getting…

  4. bobbob911 says:

    Well, ‘Stuck’ was solid but I finally found my first great film in ‘Mister Lonely’ by Harmony Korine.
    If you’ve tried and hated Harmony Korine in the past, give this one a try anyways. Its 8 years later (since Julien Donkey-Boy) and his work has definitely matured. This film is full of wonderful imagery, with an actual narrative (a love story, no less!) to back it up.
    Diego Luna and Samantha Morton as Michael Jackson and Marylyn Monroe impersonators are wonderfully cast. I was expecting a sort of mismatch freak show type quality going in, but I’ll be damned if they both didnt actually look like the real people!
    Besides, I could watch Werner Herzog playing a crazy sadistic priest alone for 90 minutes 🙂

  5. djk813 says:

    My favorite film that I saw in Toronto was probably Boy A. Also liked Unfinished Sky, Surfwise, Stuck, Nothing is Private, Man From Plains, and Gone with the Women to various degrees.
    There were also films at Toronto that I saw elsewhere that I really liked – The Edge of Heaven, Mister Lonely, Jar City, Empties, And Along Come Tourists

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon