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David Poland

By David Poland poland@moviecitynews.com

Apologies From Telluride

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5 Responses to “Apologies From Telluride”

  1. anghus says:

    that sucks. nothing worse than going to a festival and dropping an ungodly sum and then don’t get to see anything you wanted to see.
    but i guess that the ‘early adopter’ theory. they always pay the premium.
    loved the “geek 8” theory. have you written an article on that before. i’d love to do a breakdown on a number of geek films and see how it holds up.
    i’ve always been of the school that marketing guys spend way too much time, energy, and resources on the geek crowd when they impact the bottom line very, very little and end up seeing every geek film regardless of reviews.
    This year struck me as odd, as the geek crowd took credit for 300’s success, but universally panned Ghost Rider which made a pretty penny despite the massive amount of bile spewed towards it. Of course, no one’s going to take the blame when a geek film underperorms, but i can name a half dozen films this year that got an insane amount of coverage from websites and amounted to nothing.
    Hostel II comes to mind immediately

  2. David Poland says:

    Hostel 2 Opening Weekend: $8,203,391

  3. anghus says:

    what about the other side Dave? The films that the websites tear into relentlessly and they still perform well.
    How much effort, time, and money is spent courting that magic 8?
    too much?
    After reading that USA Today piece this summer about courting the fanboys at San Diego comicon, it felt like the perception is that they are this massive group to tap into and that theyre positive or negative opinion greatly affects the box office dollars.

  4. doug r says:

    The Geek 8 (million) is kind of awkward.
    I prefer “The Million Geek March”.

  5. David Poland says:

    Very clever, Doug.
    But it will be kind of awkward for me to credit you with coining it everytime I use it.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon