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David Poland

By David Poland poland@moviecitynews.com

The Great Guillermo Takes Us Back To Hell, Boy



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8 Responses to “The Great Guillermo Takes Us Back To Hell, Boy”

  1. Blackcloud says:

    Neat. I wonder if Pan will make a cameo.

  2. Hopscotch says:

    I wasn’t crazy about the first one. This trailer hasn’t changed my mind to give the series another chance.

  3. LexG says:

    Del Toro is so skilled but I wish he’d ease up on the dork shit in his movies. PAN’S was a nice, seamless melding of the fantastical and the brutally real… good movie.
    But overall, his obsessions just have that nerdy, unicorny, Legend-y, gobliny, fairies-and-clocks, “wah wah wahhhhhhh!” Dutch-angle Gilliam/Jackson/Burton vibe that I find a little wack. Like, why, as a grown man, am I watching a movie with Ron Perlman, of all people, dressed in red face paint with shaved-down RAM HORNS, going after lightning-summoning villains that look like Megadeth’s Vic Rattlehead mascot?
    It’s so, so dorky.
    That said, of course I’ll see it opening weekend. But really, in the 50s, 60s, 70s, or even, really, the 80s, did grown men and women go to see kiddie shit like this?
    (Or watch cartoons. Or play video games. Or read comic books.)

  4. Blackcloud says:

    I am pretty sure that in the ’50s and most of the ’60s, grown men and women were not playing video games. Nor were any other human beings on the planet.

  5. Wrecktum says:

    Pan left me a little angry. Maybe it’s just me, but I don’t like to see little girls suffering and brutalized on screen for two hours. Take your fetishes elsewhere, del Toro.

  6. jeffmcm says:

    You must hate Lewis Carroll.

  7. rockne says:

    Oh, no, Mr Del Toro didn’t really use the sliding on his back shooting up from underneath gag…did he? I hope I saw that wrong…

  8. luxofthedraw says:

    Agreed on Pans, one of the most overrated films in recent memory.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon