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Ray Pride

By Ray Pride Pride@moviecitynews.com

[PR] Roy Scheider's got a posthumous role

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Not Brett Morgen’s Chicago 10, in which the late actor is a cartoon, but an unfinished project called Iron Cross. Here’s a larger image. Comes the press release, unedited: “ACADEMY-AWARD® NOMINEE ROY SCHEIDER’S MISSING SCENE TO BE DIGITALLY COMPELTED FOR his final leading role in revenge thriller  IRON CROSS. Film Written & Directed by Joshua Newton and Scheduled to Premiere at the Venice International Film Festival in September 2008
 
NEW YORK, NY, February 14, 2008 – Two-time Academy Award® Nominee Roy Scheider, who sadly passed on February 10th, was one key scene shy of completing principal photography for what he hoped would be his great comeback performance in the upcoming revenge thriller IRON CROSS.  The pivotal scene will be finished using the latest CGI technology. The feature-length debut of British  writer-director Joshua Newton, will launch  at the Venice International Film Festival in 2008. 
 
Roy Scheider, widely recognized as one of Hollywood’s most versatile actors, was nominated for an Oscar® for his extraordinary performance of Detective Buddy Russo in The French Connection, and again for his sparkling portrayal of director Bob Fossee in All That Jazz. Scheider had been featured in more than 50 films; His upcoming credits include Dark Honeymoon (co-starring Daryl Hannah and Eric Roberts) and what is his final leading performance in the Joshua Newton film IRON CROSS. 
 
IRON CROSS tells the story of Joseph, a retired New York police officer, played by Roy Scheider, who witnessed the massacre of his family in Poland 1941.  He travels to Nuremberg to visit his son Ronnie (Scott Cohen, Gilmore Girls, Cashmere Mafia) years after turning his back on him for rejecting a promising career in the NYPD and marrying a local artist, Anna (Calita Rainford, Return to House on Haunted  Hill). No sooner does Joseph attempt to heal the rift with Ronnie, when he swears that living in the apartment above, under the false name of Shrager (Helmut Berger, Ludwig, The Damned, The Godfather Part III) is the now aging SS Commander who committed the atrocity. With little hope of seeing him stand trial, Joseph talks Ronnie into exacting justice – and vengeance – and together they set out to kill him. 


“Roy Scheider was one of the most talented and acclaimed actors of his generation. His versatility really set him apart and made him the obvious choice o play such a complex, troubled character as Joseph. “Roy was extremely passionate about this project and we became close during filming” said Joshua Newton, writer, director and editor of the film. He really was a brave man; I admired his fighting spirit and I am honored to have known and worked with him”. The story is a very personal one for Newton, as it closely mirrors conversations and experiences with his own father Bruno Newton, who passed away last year during filming, and coincidentally like Scheider, from complications caused by myeloma. In memory of both Newton’s father and Scheider, 10% of Newton’s share of the film’s profits will be donated to the International Myeloma Foundation.
IRON CROSS is being produced by Joshua Newton and Kevin Farr. Roy Scheider was represented by ICM.
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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon