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David Poland

By David Poland poland@moviecitynews.com

Oh Mamma!!!

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6 Responses to “Oh Mamma!!!”

  1. LYT says:

    Do people really need the lyrics to the songs posted? Even if you don’t know them going in, Abba songs are pretty easy to pick up right away.

  2. aframe says:

    This new version would be the perfect time for “The Name of the Game,” which was removed from the release cut at the last minute, to be reinstated, but I get the feeling that Universal won’t.

  3. tjfar67 says:

    320 million world wide? Momma Mia!!!

  4. seattlemoviegoer says:

    so, MAMMA MIA reached $100 million faster than any other movie musical? maybe it’s because it was on 3,000 plus screens. PHANTOM and the others opened on a few hundred screens. Hollywood tried the slow approach to it and DREAMGIRLS as well. Even when SWEENEY went wide, it was only on 1,500 screens tops.

  5. Mamma Mia! soundtrack has been #1 here for five weeks (more than Coldplay) and the movie is still #3 at the box office with just under $1.5mil despite being out for six weeks. Grossed more in it’s sixth week than the debuts of Star Wars: The Clone Wars did in it’s opening week. I’m not sure which is more frightening.
    But the singalong thing didn’t really work for Hairspray so I’m not sure it’ll do much for Mamma Mia! Not that it really needs the help.
    It’s really quite stunning.

  6. Chucky in Jersey says:

    ABBA finally have a #1 album in the States even if it’s a soundtrack. Frightening? Not so.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon