MCN Blogs
David Poland

By David Poland poland@moviecitynews.com

Mamma Mia! Manly?

Great tv spots for the DVD of Mamma Mia! during football yesterday.
“You know she wants it! Be man enough to buy her a musical!”
Love that.
(And on a less manly tack, did anyone notice Oprah failing to do much promotion of Ben Button while milking Mr Pitt in a Ben Button episode, taped November 5? Odd. Did she like the film? I hate to be doggin’ Da Button, but when Oprah can’t get in her normal frenzy for your Oscar movie… well… “It’s like nothing you’ve seen before” is not “I love this movie.” Just noticing.)

Be Sociable, Share!

8 Responses to “Mamma Mia! Manly?”

  1. Oh please. Mamma Mia is such pure crap, and I really hate musicals.

  2. leepe says:

    Mr. Movie Critic, I worked with musicals, I know musicals. Good movie musicals are a friend of mine. Mr. Movie Critic, Mamma Mia! Is not a good movie or a musical.
    Yes, it is crap.

  3. Bennett says:

    Yes Mamma Mia is crap….colorful, high energy crap, but it’s success is not surprise to me…But as a fan of musicals in general, I am happy for it’s success hoping that it will bring such excellent shows like Wicked, Spring Awakening, or In The Heights to the big screen.
    Also, is the “Be a man” commercial being run everywhere…I only saw the ad on NBC/Universal’s Sunday Night Football for this Universal picture….Granted I am a DVRer and do not watch many ads anymore..

  4. Indeed, I couldn’t be happier for the success of Mamma Mia if it means the musical gets yet another gust beneath it’s wings.
    Deaf, I suspect if you didn’t like musicals beforehand then Mamma Mia was most definitely not the movie for you to see.

  5. brack says:

    Maybe Oprah is pulling for best bud Will Smith’s movie. *shrugs*

  6. Chucky in Jersey says:

    @Bennett: These ads are also running during NFL games on CBS and Fox.

  7. movieman says:

    Bennett- The B’way tuner I’m dying to see transferred to the big screen is “Jersey Boys.”
    Just hope they don’t screw it up by letting Des McAnuff–or, God help us, Chris Columbus–direct.
    “JB” is like the jukebox musical Martin Scorsese never directed (but maybe should have).

  8. well, I guess some musicals are okay– I prefer dark, campy musicals (such as Rocky Horror Picture Show, Hedwig and the Angry Inch). I do like Moulin Rouge! as an original musical film.
    It’s just that I don’t like most mainstream musicals– full of pure crap. I studied theatre in college (oh dear) and I always detested having to work in musicals.

The Hot Blog

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon