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David Poland

By David Poland poland@moviecitynews.com

Wack-keen On Dave

joaquin.jpg
It’s beyond description… here’s a link

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14 Responses to “Wack-keen On Dave”

  1. LexG says:

    AWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWESOME.
    This clips RUUUUUUUUUUUUUUUUUUUUUULES.
    Phoenix is my NEW IDOL, this is FUCKING AWESOME BEHAVIOR and HILARIOUS AS FUCK and his TMZ RAP VIDEO IS THE BEST THING EVER. FUCK YEAH.
    Actually, I kinda suspect this HAS to be kind of a put-on because Dave is playing along so gleefully and willingly. Historically, when a Crispin Glover or the aforementioned Farrah or Sharon Stone or even Stern or THE GODDESS K-STEW starts FUCKING WITH THE PROGRAM, Dave gets REALLY insecure and testy; He doesn’t generally take shit and this is the kind of thing that, if it’s legit, would piss Dave off… The fact that he’s so giddily playing along suggests it’s all kind of a joke.
    But still, kudos to Phoenix on OWNING.

  2. lazarus says:

    Ahh, the irony, right Poland? Like the other Dave, you never should have let him back on the show.

  3. sloanish says:

    Laz for the win. I’m not sure if I’m comfortable living in a world where anyone has any doubt that Phoenix is just doing bad Kaufman.

  4. LexG says:

    So, every TV message board ever pretty much confirms that this whole “crazy” shtick Joaquin’s running lately is a gag all being filmed by BROTHER IN LAW/BUDDY Casey Affleck for an absurdist doc/mockumentary about J.P.’s alleged retirement and “hip-hop career.”
    It’s almost certainly a Borat/Kaufman ruse.

  5. mysteryperfecta says:

    I had only seen/read bits and pieces about Phoenix’s “career change”, so I didn’t have much reason to doubt it, but this interview really spikes the BS meter. Still funny, though.

  6. westpilton says:

    I have to agree with Lex on this one. Dave would have cut into him more if he wasn’t in on it. Or at the very least, believed himself to be in on it.
    Where I differ is that I don’t find it as funny. Watching it reminds me of watching a high school play that is supposed to be funny, but that’s just not. I think this kind of thing only really works if it seems real, or at least if there is the sense that this might be real in the mind of the audience.
    I appreciate the effort he’s gone to, and I feel a little sorry for him now that it’s so widely known that it’s fake.

  7. mysteryperfecta says:

    I had only seen/read bits and pieces about Phoenix’s “career change”, so I didn’t have much reason to doubt it, but this interview really spikes the BS meter. Still funny, though.

  8. I’m convicned it’s a hoax.

  9. What a bunch of Buzz Killingtons! That shit it FUNNY if fake. And I agree, it’s very likely an act. But still “too soon!” after his brother OD’d?

  10. yancyskancy says:

    I dunno, if this is some kind of Kaufmanesque shtick, it’s a pale, watered down version. Kaufman’s genius was in doing stuff that was truly outrageous and off-the-wall and still making a large segment of the audience think it might be real. Even when you got what he was doing, you could appreciate his audacity and marvel at the reactions he provoked. Sasha Baron Cohen is the new millennium equivalent of that.
    If there’s some kind of comic vision behind Phoenix’s career change, maybe it’ll be clearer once Affleck’s film is complete. Maybe it’s a Kaufman-on-Qualuudes thing that will look brilliant in the larger context. I hope so, ’cause right now it just plays as a mildly uncomfortable interview with a subject who can’t or won’t play the standard talk show game of “try to be engaging, tell an amusing anecdote, plug your project.”
    So I’ll call it interesting with an option to OWN later.

  11. rossers says:

    “I’m not sure if I’m comfortable living in a world where anyone has any doubt that Phoenix is just doing bad Kaufman”
    I hope there is one, if not many, people like this left in the world. they’re jesus, buddy.

  12. Hopscotch says:

    Fake or real. I could give shit.
    He’s a clown, no longer an actor. And no one is going to believe him again in anything.
    Few sadder things then watching talent go to waste. Either by tragedy or self-inflicted.
    Show’s over folks. Move along, move along…

  13. eugenen says:

    “He’s a clown, no longer an actor.”
    Dude. Have you seen “Two Lovers”?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon