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David Poland

By David Poland poland@moviecitynews.com

Review – HBO's Grey Gardens

Grey Gardens, the feature film on HBO that premieres this weekend, is a mixed bag. Jessica Lange is perfection. Drew Barrymore does some of her best work ever in a dramatic role that hooks into her personal flamboyance and sadness.
But the film, which lays heavily on the making of and repeated recreations of the documentary by The Maysles, feels a bit like Cliff Notes on the rest of their lives. Is the true narrative not that interesting? Or were the writers trying so hard to allow for emotional ambiguity that they never found a strong storyline? I don

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5 Responses to “Review – HBO's Grey Gardens”

  1. Crow T Robot says:

    Dave, you are talking movies quite a bit the last few days and, I gotta tell you sir, I like it.
    Funny story: Last year I was visiting the parents back home and awoke to hear my nutty mom and her equally nutty girlfriends blathering on as they always do downstairs. I walked down an hour later and saw that no, mom was just watching the original Grey Gardens alone on IFC.
    And since then her nickname has been “Grey Gardens.”

  2. LexG says:

    I don’t know, just going by the ads I’ve seen, Barrymore looks EMBARRASSING as hell in this… Like I have to look away from the TV, what with her stupid fake Hepburn-esque vocal intonations and uglied-up makeup. It’s like United States of Tera or something where there’s just this hideous chick VAMPING and being all mannered and EMBARRASSING.
    I’m sure it’s the KamikazeCamel-est movie ever to KamikazeCamel, though.

  3. scooterzz says:

    lex– she’s doing an absolute spot-on impression of the real character…amazing performances from both barrymore and lange…
    but have to agree with dp’s overall review… so much could have been addressed and isn’t….and wtf happened to the ‘marble faun’?!?

  4. NickF says:

    I see the ads for this movie before and after In Treatment and I think that it looks quite intriguing.
    Drew looks like she’s putting on a great performance, so I’ll definitely catch it sometime in the near future.

  5. Yeah, Barrymore is spot on for Little Edie. However, I haven’t seen the movie (i haven’t a clue when it will ever appear here – and they wonder why film piracy is still going on), so I can’t say whether it’s much of a performance. She does look great though.
    Dave, did you see Lange in Don’t Come Knocking? She was actually decent, but her face was frightening.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon