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David Poland

By David Poland poland@moviecitynews.com

Seattle

Seattle opened last night with In The Loop, the muscular Brit political comedy that premiered at Sundance in January. IFC is gettting tamped up for its release.
SIFF is one of the festivals that made plans for an official home on the heat of the economic boom and is now dealing with the bust. But it’s also the 35th birthday of “the biggest festival in America,” showing more movies for more days than anyone else. They rolled out their 35 Club last night, seeking at least $35 from every SIFF attendee. Not too much to ask and a real push up the hill.
Times are hard all over and it’s apparent here… but not where it matters… in the movie theaters.
Meanwhile, we wait on line for lunch at Salumi, one of the greatest joints in all of America. We’ll know what we can have for lunch when we get inside and someone tells us, though a guy did just come out and feed the entire line slices of salami. Yum.

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4 Responses to “Seattle”

  1. steamfreshmeals says:

    SF Giants visiting Seattle Mariners in interleague play
    Randy Johnson returns tonight for Giants to face his former team
    Catch a game…Safeco Field is lovely

  2. Blackcloud says:

    IO, what was that you were saying about LeBron having no heart?

  3. doug r says:

    So these critic parties really are sausage fests!

  4. BurmaShave says:

    Frances Farmer will have her revenge on Seattle.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

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My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon