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David Poland

By David Poland poland@moviecitynews.com

DP/30s…

Both of these interviews have been around since Sundance, but I don’t think they were offered in a large size in Quicktime… so now they are…
toback490.jpg
James Toback, director of the documentary, Tyson.
Here.
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Adventureland co-stars Bill Hader & Kristin Wiig, followed by writer/director Greg Mottola, followed by stars Jesse Eisenberg & Kristen Stewart.
Here.

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7 Responses to “DP/30s…”

  1. EDouglas says:

    How do you have time to actually watch movies at festivals when you’re doing all of these 30 minute interviews?

  2. martin says:

    Good interview with Toback, he’s an interesting guy. Will definitely check out Tyson. I was surprised to hear that he doesn’t do rewrites, like Mamet and others do. I understand his reasoning behind not doing them, but gotta pay the bills and I sense that he’s not banking a ton on the last few movies he’s made.

  3. boltbucket says:

    David, you should really consider changing the DP/30 format to something like “15 Minutes With …”.
    30 minutes is just too damn long. I can never make it through one of these. Way too much flab. Plus the 15 minutes thing plays off the Warhol quote. Hack them back to their best and tighest essence.
    Just a thought.

  4. David Poland says:

    Sorry it’s too long for you, Bolt. I have no interest in making them shorter, probably for many of the reasons you want them to be shorter. Hope you enjoy the YouTube previews… under 10 minutes.

  5. Eric says:

    David, you should really consider providing the DP/30 and Super Movie Friends in a podcast or MP3 format, as I’ve suggested– nay, DEMANDED– many times before. I can’t watch internet video at work but I can certainly listen to this stuff in the car or on a jog.
    Just a thought.

  6. David Poland says:

    I need to get into the habit of doing it, Eric. It’s not terribly time consuming, but it needs to be incorporated into the process.
    As you can see, it has been evolving regularly through the process of doing this.
    Thanks for the ongoing reminders…

  7. Eric says:

    I am hereby placated. For now.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon