MCN Blogs
David Poland

By David Poland poland@moviecitynews.com

Mechanic & Shankman Step Into Oscar Producing Roles

Bill’s a little bit inside… And Shank’s a little bit dance-n-sing…
He’s a little bit of Sherak’s old boss… With a little bit of drag queen in his wig
I don’t know if it’s good or bad
But they’ll make your Oscar show
He’s a little bit inside… and he’s a little bit dance and siiiiiiing…
This fits. Mechanic and Sherak were tight from the Fox years. Bill is a smart guy and has the time and energy to move the show along. On a list of musical theater mavens in the film game, Shankman also goes high on the list of performer/director/choreographers who can keep what happened last year moving forward.
Unlike some of the other musical types who might be expected to bring specific talent along with them – neither Tom Hanks nor Chace Crawford will not be hosting this year – Shankman’s talent relationships – Travolta, Sandler, The Rock, Steve Martin, Latifah – are not likely to be expected to be host, though all will be likely to make appearances. (For Travolta, it may well be his industry relaunch after the tragic loss of his son.)
Interestingly, the Adam Sandler connection is not only with Shankman, but with Sherak via Revolution Studios, which funded 4 Sandler movies including Punch Drunk Love and Sandler-produced The Animal, the company’s first greenlit production and second release. The connection also reaches to last year’s producer, Bill Condon, whose Richard Pryor film is being made at Sony via Sandler’s Happy Madison.
It’s been suggested in Academy circles that another Revolution Studios veteran was intended to be announced as host at the same time that the producing team landed. Didn’t happen. Don’t expect a long wait… or too much of a surprise.

Be Sociable, Share!

6 Responses to “Mechanic & Shankman Step Into Oscar Producing Roles”

  1. SJRubinstein says:

    “Revolution Studios veteran…”
    Vin Diesel? The White Chicks? Hellboy? Ice Cube? Rob Schneider?

  2. Drew McW says:

    Holy crap, I’m hosting the Oscars!
    Oh, you didn’t mean me? Damn.

  3. David Poland says:

    I would tune in for that!!!

  4. SJRubinstein says:

    Seriously, Drew – imagine if you just got that call from Sherak: “What does it take for us to convince you to host the Oscars?”
    Whatever comes next, well, shit – I think it would make for some great reality TV leading up to the night (when, inevitably, you barf on Anne Hathaway the second you completely nail that opening dance number where Billy Crystal makes a cameo, literally handing off a baton to you wearing a U.S. Track & Field outfit, circa 1984).
    And then you win the audience back by bringing back out Gary Rydstrom after they cut off his speech to go to commercial.

  5. SJRubinstein says:

    #DraftDrewMcWeenyToHostTheOscars

  6. LexG says:

    Schankman better not be bringing that shrieking foghorn co-star of his from SO YOU THINK YOU CAN DANCE into the proceedings.

The Hot Blog

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon