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David Poland

By David Poland poland@moviecitynews.com

PRESS RELEASE – Laura Kim, Paul Federbush & Ron Stein Are Back, Waving The Red Flag As A New Home indie

RED FLAG RELEASING (RFR) PICKS UP SUNDANCE ENTRY,
8: THE MORMON PROPOSITION

Deal Marks First Acquisition and Sale for Red Flag, IP Advisors
Los Angeles, CA (February 10, 2010)

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3 Responses to “PRESS RELEASE – Laura Kim, Paul Federbush & Ron Stein Are Back, Waving The Red Flag As A New Home indie”

  1. Oh gawd David, please create a BYOB entry or SOMETHING where in I can talk about how The Wolfman is literally one of the biggest movie fails OF ALL TIME! Words cannot truly explain just how bad it is (although I certainly tried).

  2. LexG says:

    We had our out-of-nowhere JESUS CAMP discussion lately, so not to stir up the same drama, but…
    This sounds all well and good as doc fodder; I can sense a palpable excitment in good Hollywood liberal Poland that a flick will take some religious types to task for denying gay folks their rights; That’s par for the course doc-wise, and while personally I have no horse in the gay marriage debate… if gay folks wanna get married, hey, have at it.
    BUUUUT…. Isn’t it a little selectively PC, or typical liberal chickenshit, to single out lily–white, nonthreatening, dorky-ass apple-pie Mormons as culpable for the Prop 8 issue?
    Would we see any supposedly enraged, firebrand gay liberal director roll into African-American churches or Latino Catholic neighborhoods to call out black/Hispanic congregations for shooting down their beloved Prop 8? Wasn’t one of the strongest strain of FAMILY-VALUES BASED opposition to gay marriage from the black community?
    It might be a good time to point out that:
    CARRIE PREJEAN and BARACK OBAMA have basically THE EXACT SAME STANCE on GAY MARRIAGE.
    But one is a hypocritical slutty hick, and the other is Jesus incarnate to artist types.
    Again, I couldn’t care less, and conservatives of any color or creed are entitled to their opinions too, so I’m not arguing against them either.
    But you just KNOW none of these passive-aggressive, cheap-shot-happy tsk-tsking lily-white doc filmmakers roll would have the fucking stones to roll into South L.A., nor would a Poland or the entertainment media feel comfortable WHOOPING WITH GLEE at distorted-angle shots of a black congregation preaching against gay marriage.
    So, you know, when in doubt, MAKE FUN OF SOME HICKS.

  3. yancyskancy says:

    I’d love to see a doc about minority opposition to gay marriage. The resulting pile-on here would be highly entertaining. “This is a dangerously narrow look at the subject…Where’s the balance?…They’re showing only one side of the black/Hispanic/Catholic/whatever community…”

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon