MCN Blogs
Ray Pride

By Ray Pride Pride@moviecitynews.com

Seeking Fiscal Fix, Made Trade Nix Crix

Variety - Wall Street Lays egg.jpgVariety is housed on the top 3 floors of a lovely building on Miracle Mile but first reports on the firing of chief theater critic David Rooney and chief film critic Todd McCarthy indicate that it’s not a place for staff anymore: “In a telephone interview, Mr. Stiles said the critics were cut as a cost-saving measure. “It’s economic reality,” Mr. Stiles said. He said the paper will continue to carry the same number of reviews, but he expects them all to be done on a freelance basis. Many of the trade paper’s reviews are currently done by freelance writers.” The paywall is one kind of black curtain: this is a more deadly one. Sime., Skirt. and Mosk. were unavailable for comment. Twitter comments follow. Roger Ebert: “Variety fires Todd McCarthy and I cancel my subscription. He was my reason to read the paper. RIP, schmucks.” OregonianShawn Levy: “Variety has let go of Todd McCarthy, its chief (and solid) film critic. This is huge…and awful.” LA journo Chris Willman: “Not to be a drama queen myself, but this feels like the end of the world as we know it. I can’t even comprehend.” LA Times media blogger Joe Flint: “Big bummer! Longtime Variety film critic Todd McCarthy let go.” IndieWIRE’s Anne Thompson: “Todd McCarthy out at variety I am shocked dismayed and disturbed. very sad day.” Media Studies prof Alisa Perren: “That’s insane.” Eric Kohn: “Wow, Variety’s Todd McCarthy is the latest full-time film critic casualty.” Jim Emerson: “Variety dumps Todd McCarthy? Because it wants more critics like this?” [Emerson links to Derek Elley’s pan of the Venice premiere of The Hurt Locker, which is behind the paywall.] Bumble Ward: “This is hideous news.” Salt Lake Tribune’s Sean P. Means: “Probably Variety’s smartest voice. WTF?” Toronto Int’l’s Cameron Bailey: “Shocking.” Writes FishBowl LA’s Tina Dupuy: “Variety has let go their last staff critics Todd McCarthy and David Rooney. They will be replaced by “freelancers.” We hope that won’t become code for crowd-sourcing student labor and Twitter reactions. Hm. Chills.”

Be Sociable, Share!

Comments are closed.

Movie City Indie

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon