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David Poland

By David Poland poland@moviecitynews.com

Today's Press Releases

I don’t know if you’ve noticed , but we have now instituted a Press Release blog, which is also available on a Twitter feed @ http://twitter.com/MCNpr.
This is one of the many changes in how we deliver content to you, which will show up in the weeks & months to come, all designed to make things clearer and cleaner.
In any case… new Press Releases include this year’s Academy membership invitations and Fandango’s latest ticket stuff.

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8 Responses to “Today's Press Releases”

  1. Blackcloud says:

    David, do you have any opinion on Dave Weigel’s resignation from the Washington Post? I know that’s a bit OT, but it is somewhat related to the journalistic ethics discussion that has been a recurrent theme round these parts.

  2. Stella's Boy says:

    So Knight & Day is at $7.3 million over its first two days and will likely not hit $30 million over five days. Can’t be good.

  3. IOv2 says:

    Why on earth did they open Knight and Day on a Wednesday? Did they really think they needed to get a jump on the weekend against the movie that’s rated 6% fresh? What were they thinking?

  4. Stella's Boy says:

    And Grown Ups is review-proof, as all Sandler comedies are.

  5. Stella's Boy says:

    Oh, and Blackcloud, sounds like he was forced to resign because someone else decided to go public with private correspondence. Sort of a strange story.

  6. Stella's Boy says:

    Here’s Journolist founder Ezra Klein’s thoughts on the matter: http://voices.washingtonpost.com/ezra-klein/2010/06/on_journolist_and_dave_weigel.html

  7. Blackcloud says:

    I’d say Weigel had to go because he basically ruined his credibility. His gig was covering the conservatism in its various forms, but if he’s spending all his free time badmouthing conservatives (he was in trouble a few weeks ago), what conservative would talk to him about anything of substance? He’d just become a mouthpiece a la Nikki Finke for people with axes to grind. Also, it seems WaPo didn’t quite know what it was getting in Weigel, so set him up to fail, not to mention itself.
    http://www.politico.com/blogs/bensmith/0610/Weigel_and_the_Post.html

  8. David Poland says:

    I spent about 90 minutes writing… and then it was lost in “bad computer” land. ARGH.
    The briefer, but perhaps more coherent, piece is now up.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon