MCN Blogs
David Poland

By David Poland poland@moviecitynews.com

Somewhere, actor Stephen Dorff

Be Sociable, Share!

5 Responses to “Somewhere, actor Stephen Dorff”

  1. LexG says:

    DORFF POWWWWWWWWWWWWWWWWWWWWWWWWWER

    ALL SHALL BOW. LOOK AT HIM.

    Blade, THE AEROSMITH CRYIN’ VIDEO, the Britney EVERYTIME video, DEUCES WILD POWER, FEAR DOT COM POWER, POWER of One, SHADOWBOXER, FELON POWER, and most of all:

    JUDGMENT NIIIIIIIIIIIIGHT!

    One of the most underappreciated actors in the world.

    DORFF POWER.

  2. LexG says:

    Before I start this, sanj tell me:

    At what time code does Poland ask LORD DORFF about the AWESOME WORLD CLASS smarmy asshole hand-motion he gives 1993 ALICIA SILVERSTONE to come down off the bridge in CRYIN’?

    DORFF POWER.

  3. sanj says:

    he didn’t ask that question LexG
    but the answer is 4:50

    i haven’t seen too many of Stephen Dorff films –
    i did like Felon…didn’t even notice him in
    Public Ememies because of Depp and Bale

    fun DP/30 – he actually talked about movies and soundtracks – something Halle Berry just didn’t do
    in her DP/30

    hopefully more DP/30 with his future movies

  4. established 1962 says:

    sanj just kicked it in to overdrive.

    crackin

  5. LexG says:

    AWWWWWWWWWWWWWWWWWESOME INTERVIEW.

    Even as a big DORFF fan, always assumed he’d be kind of a club-guy prick or something (aka awesome), but actually really nice, fun, down to earth, enthusiastic interview who seems grateful for this awesome movie and his current run of good stuff, which to me seems LONG OVERDUE.

    Now… where’s Elle?

The Hot Blog

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon