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David Poland

By David Poland poland@moviecitynews.com

DP/30 Sneak Peek: Carla Gugino… Sex Bomb?

I talked to Carla, writer/director Richard Levine, and Helen Hunt about their new movie, Every Day. Here is one spot in which the conversation got goofy.

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5 Responses to “DP/30 Sneak Peek: Carla Gugino… Sex Bomb?”

  1. NickF says:

    She’s a sexy lady. I don’t thInk seb bomb would be the term I’d use. Honestly I’m not even familiar with that phrase. Google mentions a Tom Jones song and this post shows up in Google search results.

  2. Good Dr. Not Bordwell says:

    Ms. Gugino’s humility is CHAAAARMING!!!

    Seriously, Carla, Coco Chavez? What do you think Sebastian was going for there?

    I wish Karen Sisco hadn’t been produced to death. So good in that.

    Oh, and nice dress.

  3. Proman says:

    She’s awesome and so is everyone she is with šŸ™‚ .

  4. actionman says:

    De Palma knew what was up way back when he cast her in Snake Eyes. Gugino is amazingly sexy and clearly has a solid head on her shoulders. Big fan.

  5. Don R. Lewis says:

    She’s an uber-sex babomb. I love those quick and cheap movies she does with her husband where he fetishizes her in slutty get-ups for us all to enjoy. Plus, those films are sexy, funny and fun all around. (Women on Trouble was the first, I forget the second, but both are fun little b-movies).

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” ā€” some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it ā€” I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury ā€” he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” ā€” and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging ā€” I was with her at that moment ā€” she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy namedā€”” “Yeah, sure ā€” you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that Iā€™m on the phone with you now, after all thatā€™s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didnā€™t seek to use his position to have sex with anyone. Thereā€™s not a case of that. He wasnā€™t using his position or status to try to solicit a sexual favor from anyone. If he had ā€” if that were what the accusation involved ā€” the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. Iā€™m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, ā€œYou know, itā€™s not this, itā€™s thatā€? Because ā€” let me go on and speak further to this. If you go back to the L.A. TimesĀ piece, thatā€™s what it lacked. Thatā€™s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon